Die Anthropologisierung des Ökonomischen in spanischen Komödien, 1762-1805. Vom vir oeconomicus bis zur femina profusa.

The article analyzes the role of popular theater in the dissemination of economic theorems during the Spanish Enlightenment. The author argues that economic-sentimental theater acculturates economic behavior by mediating it with traditional Christian ethical values. The study is based on discourse a...

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Publicado en:Dieciocho: Hispanic Enlightenment Vol. 47; no. 1; pp. 126 - 131
Autor principal: Witthaus, Jan-Henrik
Formato: Artículo
Publicado: Dieciocho Spring2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Die Anthropologisierung des Ökonomischen in spanischen Komödien, 1762-1805. Vom vir oeconomicus bis zur femina profusa.
      aug:
        au: Witthaus, Jan-Henrik
        affil: Universität de Kassel
      su:
        Values (Ethics)
        Discourse analysis
        Economic activity
        Gender studies
        Economic reform
        Masculinity
        Gender inequality
        Sentimentalism
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        subj:
          Values (Ethics)
          Discourse analysis
          Economic activity
          Gender studies
          Economic reform
          Masculinity
          Gender inequality
          Sentimentalism
      ab:
        The article analyzes the role of popular theater in the dissemination of economic theorems during the Spanish Enlightenment. The author argues that economic-sentimental theater acculturates economic behavior by mediating it with traditional Christian ethical values. The study is based on discourse and power analysis, complemented by gender studies. Specific works that reflect the relationship between the home and political economy, as well as the valuation of work and gender inequality, are analyzed. The study highlights the influence of the Bourbon reform on the representation of economic activity and hegemonic masculinity.
        El artículo analiza el papel del teatro popular en la difusión de teoremas económicos durante la Ilustración española. La autora sostiene que el teatro económico-sentimental acultura el comportamiento económico al mediarlo con los valores éticos cristianos tradicionales. El estudio se basa en el análisis del discurso y del poder, complementado con los estudios de género. Se analizan obras específicas que reflejan la relación entre el hogar y la economía política, así como la valoración del trabajo y la desigualdad de género. El estudio destaca la influencia de la reforma borbónica en la representación de la actividad económica y la masculinidad hegemónica.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Spanish
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