Sense All at Sea: Contemporary Theatre 'Between' Jon Fosse and Jean-Luc Nancy.
In this essay Mark Robson explores the works of two writers, one a philosopher and one a playwright and novelist, to think through contemporary stagings of the spatio-temporal relation 'between' theatre and philosophy. Bringing together Jean-Luc Nancy and Jon Fosse, Robson finds in Nancy's notions o...
| Publicado en: | CounterText Vol. 10; no. 2; pp. 95 - 116 |
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| Formato: | Artículo |
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Edinburgh University Press
Aug2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180226780&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 180226780 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20564406 JRXS jtl: CounterText issn: 20564406 maglogo: N pubinfo: dt: Aug2024 vid: 10 iid: 2 pid: 2327 pub: Edinburgh University Press artinfo: ui: 180226780 10.3366/count.2024.0341 ppf: 95 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 109KB tig: atl: Sense All at Sea: Contemporary Theatre 'Between' Jon Fosse and Jean-Luc Nancy. aug: au: Robson, Mark su: Nancy, Jean-Luc, 1940-2021 Dramatists Philosophers Novelists Metaphor Authors sug: subj: Nancy, Jean-Luc, 1940-2021 Dramatists Philosophers Novelists Metaphor Authors keyword: contemporary theatre deconstruction Jean-Luc Nancy Jon Fosse presence the postdramatic sense ab: In this essay Mark Robson explores the works of two writers, one a philosopher and one a playwright and novelist, to think through contemporary stagings of the spatio-temporal relation 'between' theatre and philosophy. Bringing together Jean-Luc Nancy and Jon Fosse, Robson finds in Nancy's notions of sense, partage, co-appearance or 'comparution' a way of rethinking conventional explanations of the communal and political functions of theatre that resonates with the work of Fosse but also with that of French company the Théâtre du Radeau. Metaphor and imagination – and particularly a metaphorics of water – are related to different economies of the relation between speech and silence in Fosse, Nancy, Ludwig Wittgenstein and Jacques Derrida to ask: how can sense be made of the notion of staging presence in the light of deconstruction and the postdramatic? pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of CounterText is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: CounterText holder: Edinburgh University Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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