The Mātṛkā Dance: Conceptualizing the Dancing Body of the Goddess.

Conceptualizing the image of a dancing Supreme Goddess in the Hindu tradition presents a philosophical challenge because it demands a coherent rational reconciliation between her nature as continuously changing into multiple forms and the realm of pure, absolute, never-changing, formless being. Diff...

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Published in:Sophia Vol. 63; no. 3; pp. 571 - 587
Main Author: Funes Maderey, Ana Laura
Format: Article
Published: Springer Nature Sep2024
Subjects:
Online Access:View this record in EBSCOhost
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        atl: The Mātṛkā Dance: Conceptualizing the Dancing Body of the Goddess.
      aug:
        au: Funes Maderey, Ana Laura
        affil: https://ror.org/04z49n283 Philosophy Department, Fairfield University, Fairfield, CT, USA
      su:
        Dance
        Mental imagery
        History of India
        Religious idols
        Goddesses
        Hindus
      sug:
        subj:
          Dance
          Mental imagery
          History of India
          Religious idols
          Goddesses
          Hindus
      keyword:
        Śāktism
        Devī Māhātmya
        Goddess
        Kālī
        Mātṛkā
        Vikalpa
      ab: Conceptualizing the image of a dancing Supreme Goddess in the Hindu tradition presents a philosophical challenge because it demands a coherent rational reconciliation between her nature as continuously changing into multiple forms and the realm of pure, absolute, never-changing, formless being. Different strategies have been proposed in the history of philosophy in India. This paper analyzes the image of the dancing Goddess as it appears in the Devī Māhātmya and in the Tantric iconography of the Goddess Kālī. An argument is developed to show that Śākta philosophy resolves this tension through a radical non-dualist understanding of the role that a mental image (vikalpa) plays in accessing supreme reality.
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    language: English
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