Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon.

The voyeuristic qualities that permeate the vast oeuvre of Ceylonese photographer Lionel Wendt (1900-1944) are a point of contention within scholarship on his work. Scholars counter claims of voyeurism by underscoring his national belonging to Ceylon, his anti-colonial politics, or the global modern...

Descripción completa

Detalles Bibliográficos

Publicado en:	Art Journal Vol. 83; no. 2; pp. 20 - 38
Autor principal:	Emmanuel, Kaitlin
Formato:	Artículo
Publicado:	Taylor & Francis Ltd Summer2024
Materias:	Nude in art Wendt, Lionel Photography of the nude Photography of women Cities & towns in literature
Acceso en línea:	Ver este registro en EBSCOhost