Disrupting the estate: Katharine Pleydell-Bouverie at Coleshill.
This article explores some of the ways in which queer women living in country houses have used their economic privilege and class leverage for their own purposes, disrupting and reshaping country house living to make space for their own independent endeavours. It takes as its case study the life of...
| Publicado en: | Women's History Review Vol. 33; no. 6; pp. 909 - 927 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Nov2024
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180330107&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 180330107 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09612025 GP6 jtl: Women's History Review issn: 09612025 maglogo: N pubinfo: dt: Nov2024 vid: 33 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 180330107 10.1080/09612025.2024.2382638 ppf: 909 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.9MB tig: atl: Disrupting the estate: Katharine Pleydell-Bouverie at Coleshill. aug: au: Ritchie, Helen affil: The Fitzwilliam Museum, University of Cambridge, Cambridge, UK su: Pleydell-Bouverie, Katharine Country homes Women Ceramics Twentieth century sug: subj: Pleydell-Bouverie, Katharine Country homes Women Ceramics Twentieth century keyword: artist ceramics queer Twentieth-century women ab: This article explores some of the ways in which queer women living in country houses have used their economic privilege and class leverage for their own purposes, disrupting and reshaping country house living to make space for their own independent endeavours. It takes as its case study the life of Katharine Pleydell-Bouverie (1895–1985), an innovative woman potter in the early British studio ceramics movement who rejected aristocratic, familial and societal expectations of duty and lineage to self-fashion an identity as an artist. Pleydell-Bouverie created a separate household on her family estate of Coleshill where she prioritised pleasurable domesticity with her female partners alongside creative expression and productivity. This essay investigates Pleydell-Bouverie's use of the estate – both the conditions it afforded her and its ecological materiality – as a resource in her experimental artistic practice and in her alternative, non-heteronormative mode of living. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Women's History Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Women's History Review holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
|---|