Transtextual Reading of Gilan's Holy Shrine Painting and Reverse Glass Painting in the Zand and Qajar Period with Emphasize on Forgery and Transposition Relation.
Similar to religious reverse glass paintings, Gilan's holy shrine paintings are also religious art from the Qajar period. Among these paintings in the matter of religious beliefs and artists' origins, a unity in the style of narration and illustration can be found. Transtextuality, introduced by Gér...
| Publicado en: | Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah Vol. 12; no. 58; pp. 133 - 173 |
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| Autores principales: | , , |
| Formato: | Artículo |
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Tarbiat Modares University Press
Sep/Oct2024
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180419279&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 180419279 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23454466 HBVP jtl: Culture & Folk Literature / Farhang va Adabiyyāt-i ̒āmah issn: 23454466 maglogo: N pubinfo: dt: Sep/Oct2024 vid: 12 iid: 58 pid: 93586 pub: Tarbiat Modares University Press artinfo: ui: 180419279 ppf: 133 ppct: 40 formats: tig: atl: Transtextual Reading of Gilan's Holy Shrine Painting and Reverse Glass Painting in the Zand and Qajar Period with Emphasize on Forgery and Transposition Relation. aug: au: Sehatqholfard, Monir Abeddoost, Hossein Kazempoor, Ziba affil: Masters of Art Research, Faculty of Art and Architecture of Guilan University, Rasht Associate Professor of Graphic Group, Faculty of Art and Architecture, University of Guilan, Rasht, Iran Assistant Professor, Faculty of Literature and Human Science of Mohaghegh Ardabili University, Ardebil, Iran su: Religious art Forgery Shrines Art theory Narration sug: subj: Religious art Forgery Shrines Art theory Narration keyword: forgery Gilan's holy shrine painting reverse glass painting transposition Transtextuality ab: Similar to religious reverse glass paintings, Gilan's holy shrine paintings are also religious art from the Qajar period. Among these paintings in the matter of religious beliefs and artists' origins, a unity in the style of narration and illustration can be found. Transtextuality, introduced by Gérard Genette, is one of the most important theories in literature and art. He addresses different ways of how a text can remind the reader of a previous one and guide the reader towards it. The main question of the research is which factors that have been used in reverse glass paintings and holy shrine paintings have transtextuality and similarity. The research method is descriptive and analytic and the library collecting content method is taking fiche notes and reading pictures text; the data analyzing is qualitative. Findings are indicative of a similarity and transtextuality relation between holy shrine paintings and reverse glass paintings. Forgery similarity is the application of visual elements and semantic implications, with functioning and imitating form and pretext content. Transposition Transtextuality in the visual structure and semantic implications has a critical role in hypertextuality. Artists have created a new concept by modifying elements and changing the concept in Gilan's holy shrine painting. pubtype: Academic Journal doctype: Article src: R language: Multiple Languages refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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