Discursive Tropes of Aggression Against Queer-Sexuality in Nigerian Standup Comedy.

The increase in the online presence of lesbian, gay, bisexual, transgender and Queer (LGBTQ) persons is astounding, despite the threat to their security, especially in the Nigerian context. Extending debates on linguistic and non-linguistic research on queer-sexuality, this paper examines the discur...

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Publicado en:Sexuality & Culture Vol. 28; no. 6; pp. 2860 - 2879
Autores principales: Ilesanmi, Omolade, Osisanwo, Ayo
Formato: Artículo
Publicado: Springer Nature Dec2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Discursive Tropes of Aggression Against Queer-Sexuality in Nigerian Standup Comedy.
      aug:
        au:
          Ilesanmi, Omolade
          Osisanwo, Ayo
        affil:
          https://ror.org/03zcb2d36 Department of English Studies, McPherson University, Seriki Sotayo, Ogun State, Nigeria
          https://ror.org/03wx2rr30 Department of English, University of Ibadan, Ibadan, Nigeria
          Institute of English Studies, Leuphana Universität, Lüneburg, Germany
      su:
        Aggression (Psychology)
        Human sexuality
        LGBTQ+ people
        Pragmatics
        Sexual minorities
      sug:
        subj:
          Aggression (Psychology)
          Human sexuality
          LGBTQ+ people
          Pragmatics
          Sexual minorities
      keyword:
        Discursive tropes
        Humour
        LGBTQ
        Nigerian standup comedy
      ab: The increase in the online presence of lesbian, gay, bisexual, transgender and Queer (LGBTQ) persons is astounding, despite the threat to their security, especially in the Nigerian context. Extending debates on linguistic and non-linguistic research on queer-sexuality, this paper examines the discursive patterns in the jokes of Nigerian standup comedians (NSCs), who occasionally project idiosyncratic ideologies about Nigerian LGBTQ persons. The argument advanced in this paper is that though LGBTQ contents are applied to challenge Nigerian laws against gender and sexual minorities, Nigerian humour producers continue to criminalise homosexuality and transgenderism comically. Using insights from Jacob Mey's Pragmatic Acts Theory (PAT) and Meyer's Superiority Theory of Humour (STH), this paper probes how pragmatic variables interact with humour strategies to tease out specific discursive tropes in the linguistic acts of NSCs. The selection of joke routines is purposive and based on Nigerian humour productions of "Pencil Unbroken Show" AY Live and African Kings of Comedy between 2013 and 2023 on YouTube media. Seven texts are selected and subjected to pragmatic and humour analysis. Ten discursive patterns alongside shared linguistic and situational knowledge, inferences, voice, reference and metaphor are deployed to demystify the motivations for queerness in Nigerian standup comedy. The study reflects aggression against queer-sexuality from the point of view of the Nigerian religious, political, socio-cultural and legal contexts. It also indicates that NSCs strive to enforce conservative standards and deploy humour as a corrective measure to identify LGBTQ persons as threats, offenders, victims, unfit, mentally unstable and illusive.
      pubtype: Academic Journal
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      src: R
    language: English
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      custom: Sexuality & Culture is a copyright of Springer, 2024. All Rights Reserved.
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