Deterritorializing the 'Kingdom' in Philip Pullman's His Dark Materials.

The paper analyzes Philip Pullman's trilogy His Dark Materials through a Deleuze and Guattarian lens, reading it as a utopian imaginary that attempts to provide an alternate vision of the world. Acclaimed to be a path-breaking work, the trilogy transcends traditional genre classification by addressi...

Descripción completa

Detalles Bibliográficos
Publicado en:IUP Journal of English Studies Vol. 19; no. 3; pp. 76 - 91
Autor principal: Bakhshi, Medha
Formato: Artículo
Publicado: IUP Publications Sep2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180446517&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 180446517
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        09733728
        AUDX
      jtl: IUP Journal of English Studies
      issn: 09733728
      maglogo: N
    pubinfo:
      dt: Sep2024
      vid: 19
      iid: 3
      pid: 31374
      pub: IUP Publications
    artinfo:
      ui: 180446517
      ppf: 76
      ppct: 15
      formats:
        fmt:
          @attributes:
            type: P
            size: 1.3MB
      tig:
        atl: Deterritorializing the 'Kingdom' in Philip Pullman's His Dark Materials.
      aug:
        au: Bakhshi, Medha
        affil: Assistant Professor, Indian Institute of Management, Lucknow, Uttar Pradesh, India
      su:
        Identity (Psychology)
        Sexual excitement
        Literary form
        Religious institutions
        Heaven
        Dystopias
      sug:
        subj:
          Identity (Psychology)
          Sexual excitement
          Literary form
          Religious institutions
          Heaven
          Dystopias
      ab: The paper analyzes Philip Pullman's trilogy His Dark Materials through a Deleuze and Guattarian lens, reading it as a utopian imaginary that attempts to provide an alternate vision of the world. Acclaimed to be a path-breaking work, the trilogy transcends traditional genre classification by addressing some existential, philosophical, and metaphysical questions while romancing the young-adult literature genre. It moves effortlessly across the boundaries between past and present, reality and fantasy, and the eminence of the works lie in the conflicts that emerge at these meeting points. Through his iconic work, Pullman attempts to displace the power of the Western metanarrative and suggests his own democratic version of identity formation. He displaces the metanarrative of the 'Kingdom of Heaven' and replaces it with the notion of 'The Republic of Heaven' placing its roots in a utopian scheme that envisages a society ungoverned by any religious institution, where sexual pleasure, gaining knowledge, and living to the fullest form the basis of good living--a reterritorialized world of freedom and agency. The works have a trenchant poignance in the post-pandemic dystopia and provide solace with their life-affirming alternate vision.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of IUP Journal of English Studies is the property of IUP Publications and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: IUP Journal of English Studies
      holder: IUP Publications
      dt:
        @attributes:
          year: 2024
    holdings:
      @attributes:
        islocal: N