The Road Not Taken: Dante's First Eclogue and Virgil's Career.

Near the end of his career, Dante wrote two eclogues, instigating a literary fashion which was to outlast the Renaissance. These poems—Dante's only known compositions in Latin verse—were prompted by a verse epistle from Giovanni 'del Virgilio', in which the humanist scholar goaded Dante to compose a...

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Publicado en:International Journal of the Classical Tradition Vol. 31; no. 4; pp. 367 - 394
Autor principal: Pugh, Syrithe
Formato: Artículo
Publicado: Springer Nature Dec2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Road Not Taken: Dante's First Eclogue and Virgil's Career.
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        au: Pugh, Syrithe
        affil: https://ror.org/016476m91 University of Aberdeen, Aberdeen, UK
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        Road Not Taken, The (Poem)
        Dante Alighieri, 1265-1321
        Pastoral poetry
        Renaissance
        Eviction
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        subj:
          Road Not Taken, The (Poem)
          Dante Alighieri, 1265-1321
          Pastoral poetry
          Renaissance
          Eviction
      ab: Near the end of his career, Dante wrote two eclogues, instigating a literary fashion which was to outlast the Renaissance. These poems—Dante's only known compositions in Latin verse—were prompted by a verse epistle from Giovanni 'del Virgilio', in which the humanist scholar goaded Dante to compose a martial epic in Latin celebrating contemporary Italian military victories, which would prove him a worthy successor to the author of the Aeneid. Dante's response is an elaborate bucolic recusatio, which engages in a rich and intricate intertextual dialogue both with Virgil and with his correspondent. Through a pattern of allusions emphasizing the theme of land-confiscation and dispossession in Virgil's Bucolica and his denunciation of the avarice and violence of contemporary Rome in the Georgics, Dante makes the case that his own career has fulfilled the noble aspirations which Virgil himself compromised, when he abandoned the idea of a cosmological epic, entertained in the second Georgic and chose instead to glorify war and the emperor in the Aeneid.
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