Can the Structuralist Subject Dance? Trisha Brown, Gilles Deleuze, and the Performative Structure-Object.
This article argues that a series of dances made by choreographer and dancer Trisha Brown between 1971 and 1975 using accumulation can be understood as performative structure-objects. This is a form of art that paved the way for two current tendencies in art and dance: the generalization of dance in...
| Publicado en: | Dance Chronicle Vol. 47; no. 3; pp. 506 - 525 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep-Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180555108&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 180555108 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01472526 DCN jtl: Dance Chronicle issn: 01472526 maglogo: N pubinfo: dt: Sep-Dec2024 vid: 47 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 180555108 10.1080/01472526.2024.2392357 ppf: 506 ppct: 19 formats: tig: atl: Can the Structuralist Subject Dance? Trisha Brown, Gilles Deleuze, and the Performative Structure-Object. aug: au: Wikström, Josefine su: Dance Brown, Trisha, 1936-2017 Deleuze, Gilles, 1925-1995 Dancers Structuralism Generalization Artists sug: subj: Dance Brown, Trisha, 1936-2017 Deleuze, Gilles, 1925-1995 Dancers Structuralism Generalization Artists keyword: Accumulation Gilles Deleuze structure-object subject Trisha Brown ab: This article argues that a series of dances made by choreographer and dancer Trisha Brown between 1971 and 1975 using accumulation can be understood as performative structure-objects. This is a form of art that paved the way for two current tendencies in art and dance: the generalization of dance into art and the development of the role of the dancer as artist. The concept of the performative structure-object unfolds in the article through a close analysis of Brown's dances in dialogue with the concept of structure found in Gilles Deleuze's essay "How Do We Recognize Structuralism?" (1967). His article emphasizes a concept of structure understood as both subject and object, as well as a site of practice. While research has been undertaken in dance studies on Brown and the importance of structures in her work, this article expands this research by reconstructing a philosophical concept of structure in her work that has not yet been explored. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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