Punctuated Lives: Abortion, Ellipses, and Parentheses in Annie Ernaux's L'événement (2000) and Line Papin's Une vie possible (2022).

This article examines the representation of abortion in two autobiographical texts: Annie Ernaux's L'événement (2000) and Line Papin's Une vie possible (2022). Analyzing their use of punctuation particularly parentheses and ellipses it argues that Papin inherits an aesthetics of hesitation from Erna...

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Publicado en:Esprit Createur Vol. 64; no. 3; pp. 84 - 99
Autor principal: Nevin, Matilda
Formato: Artículo
Publicado: Johns Hopkins University Press Fall2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Punctuated Lives: Abortion, Ellipses, and Parentheses in Annie Ernaux's L'événement (2000) and Line Papin's Une vie possible (2022).
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        au: Nevin, Matilda
        affil: University of St Andrews
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        Abortion
        Parenthesis (Punctuation)
        Therapeutics
        Aesthetics
        Philosophy
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          Abortion
          Parenthesis (Punctuation)
          Therapeutics
          Aesthetics
          Philosophy
      ab: This article examines the representation of abortion in two autobiographical texts: Annie Ernaux's L'événement (2000) and Line Papin's Une vie possible (2022). Analyzing their use of punctuation particularly parentheses and ellipses it argues that Papin inherits an aesthetics of hesitation from Ernaux an aesthetics that allows both writers to make space for others' experiences of abortion.
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