| Sumario: | The article "Animation Theory: Prayer as Popular African Performance" explores the multifaceted nature of prayer in African culture, highlighting its role as a creative, social, and political activity that enlivens society. The authors propose animation theory as a framework for studying prayer performances, emphasizing its transformative and enlivening qualities. Through a series of interdisciplinary studies across various African countries and religious traditions, the article showcases how prayers animate collective identities, cultural practices, and social interactions, contributing to the vitality and resilience of African communities. The research aims to deepen our understanding of African culture by illuminating the dynamic and multifunctional aspects of prayer as a popular cultural performance that transcends traditional religious boundaries.
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