New Orleans and the Creation of Transatlantic Opera, 1819-1859.
The article "New Orleans and the Creation of Transatlantic Opera, 1819-1859" by Charlotte Bentley explores the operatic life in antebellum New Orleans, focusing on the Théâtre d’Orléans and its global reach. Bentley delves into the local, national, and international implications of opera in New Orle...
| Publicado en: | Notes Vol. 81; no. 2; pp. 374 - 378 |
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| Formato: | Artículo |
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Music Library Association Inc.
Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180879610&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 180879610 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Dec2024 vid: 81 iid: 2 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 180879610 10.1353/not.2024.a944653 ppf: 374 ppct: 4 formats: fmt: @attributes: type: P size: 329KB tig: atl: New Orleans and the Creation of Transatlantic Opera, 1819-1859. aug: au: NORLING, C. A. affil: Eastman School of Music su: New Orleans & the Creation of Transatlantic Opera 1819-1859 (Book) Electronic books Opera sug: subj: New Orleans & the Creation of Transatlantic Opera 1819-1859 (Book) Electronic books Opera ab: The article "New Orleans and the Creation of Transatlantic Opera, 1819-1859" by Charlotte Bentley explores the operatic life in antebellum New Orleans, focusing on the Théâtre d’Orléans and its global reach. Bentley delves into the local, national, and international implications of opera in New Orleans, examining the business, production, reception, audiences, and material culture of opera in the city. Through a transatlantic framework, Bentley uncovers the complexities of opera as a multivalent site of human and ideological interactions, shedding light on the individual experiences and stories of performers, staff members, and audiences involved in operatic cultures in New Orleans. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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