From Belgium to the world and back? The case of Rieder.

In the 1920s and the 1930s, a large number of Belgian authors were published by a Parisian publishing house, Rieder & Cie. Most of them wrote directly in French, the others in Dutch and were translated. Thanks to Rieder's international drive, all these works were considered part of a system that pre...

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Publicado en:Perspectives: Studies in Translatology Vol. 32; no. 6; pp. 1050 - 1063
Autor principal: Gnocchi, Maria Chiara
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: From Belgium to the world and back? The case of Rieder.
      aug:
        au: Gnocchi, Maria Chiara
        affil: LILEC, Alma Mater Studiorum – Università di Bologna, Bologna, Italy
      su:
        Literature
        Publishing
        Oral interpretation
        Translating & interpreting
        Contradiction
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        subj:
          Literature
          Publishing
          Oral interpretation
          Translating & interpreting
          Contradiction
      keyword:
        Belgian literature
        literary series
        publishing house
        Rieder
        translation
        World literature
      ab: In the 1920s and the 1930s, a large number of Belgian authors were published by a Parisian publishing house, Rieder & Cie. Most of them wrote directly in French, the others in Dutch and were translated. Thanks to Rieder's international drive, all these works were considered part of a system that prefigured World Literature, where local and global belonging were not in contradiction. The 'Belges de Rieder' were known in Belgium, France and abroad; they were translated into several languages, and they were in contact with other writers from all over the world - for example in the columns of Europe, the international review that Rieder launched and published. The current situation for these same authors is completely different. Some of them are still being reprinted, but their 'local' side clearly prevails. A study of the publishing circles involved, now and then, shows that is not (only) a corpus, it is mainly a way of circulating and reading literary texts. Some works can aspire to a 'world' dimension but they struggle to assert themselves for lack of an adequate system of publication, distribution or even critical reading.
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    language: English
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      custom: Copyright of Perspectives: Studies in Translatology is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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