Cosmopolitan Shakespeares in fin-de-siècle Belgian literature.

Among the many signs of Anglophilia in fin-de-siècle Belgian francophone literature, Shakespeare and Elizabethan theatre occupy a special place. They play a fundamental role in defining the aesthetics and identity of many writers and artists. Over and above the adoption of Shakespearean themes by Fe...

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Publicado en:Perspectives: Studies in Translatology Vol. 32; no. 6; pp. 1078 - 1098
Autor principal: Dessy, Clément
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Cosmopolitan Shakespeares in fin-de-siècle Belgian literature.
      aug:
        au: Dessy, Clément
        affil: F.R.S.–FNRS, Université libre de Bruxelles (ULB), Bruxelles, Belgium
      su:
        Shakespeare, William, 1564-1616
        Cosmopolitanism
        Dramatists
        Internationalism
        Authors
        Poets
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        subj:
          Shakespeare, William, 1564-1616
          Cosmopolitanism
          Dramatists
          Internationalism
          Authors
          Poets
      keyword:
        Belgian literature
        literary internationalism
        William Shakespeare
      ab: Among the many signs of Anglophilia in fin-de-siècle Belgian francophone literature, Shakespeare and Elizabethan theatre occupy a special place. They play a fundamental role in defining the aesthetics and identity of many writers and artists. Over and above the adoption of Shakespearean themes by Fernand Khnopff and Maurice Maeterlinck (the 'Belgian Shakespeare'), there is a whole series of translations that link Belgian authors to Shakespeare's century: Georges Eekhoud, Célestin Demblon and Maurice Maeterlinck translated works by Shakespeare or other Elizabethan playwrights; the decadent poet Arthur Symons transposed Émile Verhaeren's 'Les Aubes', which alternates verse and prose, into an 'Elizabethan' form in English. Taken together, these individual examples reveal that the Shakespeare reference functioned as a springboard for literary cosmopolitanism and as an opportunity for these writers to redefine themselves in the interplay between local and global identities.
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