Cosmopolitan Shakespeares in fin-de-siècle Belgian literature.
Among the many signs of Anglophilia in fin-de-siècle Belgian francophone literature, Shakespeare and Elizabethan theatre occupy a special place. They play a fundamental role in defining the aesthetics and identity of many writers and artists. Over and above the adoption of Shakespearean themes by Fe...
| Publicado en: | Perspectives: Studies in Translatology Vol. 32; no. 6; pp. 1078 - 1098 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181054746&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181054746 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0907676X S2F jtl: Perspectives: Studies in Translatology issn: 0907676X maglogo: N pubinfo: dt: Dec2024 vid: 32 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 181054746 10.1080/0907676X.2024.2332430 ppf: 1078 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.9MB tig: atl: Cosmopolitan Shakespeares in fin-de-siècle Belgian literature. aug: au: Dessy, Clément affil: F.R.S.–FNRS, Université libre de Bruxelles (ULB), Bruxelles, Belgium su: Shakespeare, William, 1564-1616 Cosmopolitanism Dramatists Internationalism Authors Poets sug: subj: Shakespeare, William, 1564-1616 Cosmopolitanism Dramatists Internationalism Authors Poets keyword: Belgian literature literary internationalism William Shakespeare ab: Among the many signs of Anglophilia in fin-de-siècle Belgian francophone literature, Shakespeare and Elizabethan theatre occupy a special place. They play a fundamental role in defining the aesthetics and identity of many writers and artists. Over and above the adoption of Shakespearean themes by Fernand Khnopff and Maurice Maeterlinck (the 'Belgian Shakespeare'), there is a whole series of translations that link Belgian authors to Shakespeare's century: Georges Eekhoud, Célestin Demblon and Maurice Maeterlinck translated works by Shakespeare or other Elizabethan playwrights; the decadent poet Arthur Symons transposed Émile Verhaeren's 'Les Aubes', which alternates verse and prose, into an 'Elizabethan' form in English. Taken together, these individual examples reveal that the Shakespeare reference functioned as a springboard for literary cosmopolitanism and as an opportunity for these writers to redefine themselves in the interplay between local and global identities. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Perspectives: Studies in Translatology is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Perspectives: Studies in Translatology holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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