Subject Validity Issues and Potential Solutions in the Era of Metaverse–Starting with the Concern Over Property Rights in Crypto Art.
In a pre-digital epoch, humans possessed the material means of production through material labor, which allowed them to exercise subjective agency and establish their existence as subjects through the acquisition of property rights. As digital technology has advanced, our digital being now forms an...
| Publicado en: | Critical Arts: A South-North Journal of Cultural & Media Studies Vol. 38; no. 2/3; pp. 117 - 132 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr-Jun2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181055381&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181055381 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02560046 CTA jtl: Critical Arts: A South-North Journal of Cultural & Media Studies issn: 02560046 maglogo: N pubinfo: dt: Apr-Jun2024 vid: 38 iid: 2/3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 181055381 10.1080/02560046.2023.2289583 ppf: 117 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.6MB tig: atl: Subject Validity Issues and Potential Solutions in the Era of Metaverse–Starting with the Concern Over Property Rights in Crypto Art. aug: au: Xie, Qian affil: Department of Shanghai Film, Shanghai University, Shanghai, People's Republic of China su: Shared virtual environments Virtual reality Artificial intelligence Property rights Communitarianism Cryptocurrencies Digital technology sug: subj: Shared virtual environments Virtual reality Artificial intelligence Property rights Communitarianism Cryptocurrencies Digital technology keyword: community crypto art Digital existence digital labour property rights ab: In a pre-digital epoch, humans possessed the material means of production through material labor, which allowed them to exercise subjective agency and establish their existence as subjects through the acquisition of property rights. As digital technology has advanced, our digital being now forms an integral element of our fundamental human existence. In the age of the "metaverse," we must confront and provide an answer to the topic of how to thrive better in the digital virtual world. The rise of Crypto Art, now imbued with a tangible worth by the incorporation of Blockchain technology and Non-Fungible Tokens in the artistic sphere, has opened new vistas for us to verify our subjects within the "metaverse", thereby securing the liberty of our digital existence. However, crypto art, as digital labor under the techno-capitalist system, inevitably brings about the problem of alienation of digital laborers and their products, impacting the vulnerable subjects in the "metauniverse". The communitarian mechanism and spirit of consensus inherent within the blockchain present potential pathways towards resolution. In addressing this predicament, crypto art must first transform into a societal intermediary committed to fostering a community centered around the sharing of digital resources. This would empower digital workers to genuinely possess their labor and acquire property rights on a public and communal platform, ultimately leading to the restoration of subjectivity. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Critical Arts: A South-North Journal of Cultural & Media Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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