Politics & the Venice Biennale.

The article delves into the history and political intricacies of the Venice Biennale. It discusses early controversies, such as the 1934 incident involving the U.S. pavilion, where a portrait of Marion Davies, inserted by Benito Mussolini's confidant, caused a rift between U.S. artists and the Bienn...

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Publicado en:New Criterion Vol. 43; no. 4; pp. 14 - 19
Autor principal: Rylands, Philip
Formato: Artículo
Publicado: New Criterion Dec2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Politics & the Venice Biennale.
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        au: Rylands, Philip
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        Biennale di Venezia
        Davies, Marion
        Mussolini, Benito, 1883-1945
        Avant-garde (Arts)
        Art exhibitions
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          Biennale di Venezia
          Davies, Marion
          Mussolini, Benito, 1883-1945
          Avant-garde (Arts)
          Art exhibitions
      ab: The article delves into the history and political intricacies of the Venice Biennale. It discusses early controversies, such as the 1934 incident involving the U.S. pavilion, where a portrait of Marion Davies, inserted by Benito Mussolini's confidant, caused a rift between U.S. artists and the Biennale's leadership. It also examines the Biennale's shift in political and artistic direction, from showcasing Western European and North American avant-garde art.
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