Translated Poetry in Late Soviet Latvia: Sporadic modernism and the construction of world literature.

The article builds upon previous work that has been written about the connection between translation and colonial endeavours (Tymoczko, 1999; Robinson, 2014), as well as the research done in the field of Baltic post-colonialism (Annus, 2018), and focuses on cases of poetic production in Soviet Latvi...

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Published in:Respectus Philologicus Vol. 45; no. 51; pp. 77 - 91
Main Author: Šteinbergs, Ivars
Format: Article
Published: Vilnius University 2024
Subjects:
Online Access:View this record in EBSCOhost
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        10.15388/RESPECTUS.2024.46(51).6
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        au: Šteinbergs, Ivars
        affil: University of Latvia Institute of Literature, Folklore and Art Krišjāņa Valdemāra street 106-75, Riga, LV1013, Latvia
      su:
        Modernism (Literature)
        Literature translations
        Literature
        Military occupation
        Eurocentrism
        Poetics
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        subj:
          Modernism (Literature)
          Literature translations
          Literature
          Military occupation
          Eurocentrism
          Poetics
      keyword:
        literary translation
        modernism
        Soviet occupation of Latvia
        Western poetics
      ab: The article builds upon previous work that has been written about the connection between translation and colonial endeavours (Tymoczko, 1999; Robinson, 2014), as well as the research done in the field of Baltic post-colonialism (Annus, 2018), and focuses on cases of poetic production in Soviet Latvia during the time after de-Stalinization. By surveying data on the publication of books of translated poetry in Latvia after 1956 - when knowledge of Stalin's terror disseminated, the study reveals how translation was used to strengthen Soviet power in occupied territories. The "world" that was being represented through translation was largely Eurocentric and Russocentric. Simultaneously, from the 1960s onward, several Latvian translators wrote translations and poems that survive both as documents of cultural others, and as testimonies of local noncompliance. These works are imbued with modernist poetics that was unfamiliar to or even condemned by the propagators of socialist realism, the official and ideologically saturated aesthetic promoted by the Soviet regime. The article suggests reading such texts as a kind of sporadic modernism within Soviet Latvia.
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    language: English
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      custom: Copyright of Respectus Philologicus is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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