LA ASONANCIA DE RAQUEL DE GARCÍA DE LA HUERTA.
In this paper we review some of the structural analyses of the tragedy of the Extremaduran playwright García de la Huerta to highlight a resource that has been invisible so far for the readers of the work: the changes in the assonance of his endecasílabos. These changes occur in situations of dramat...
| Publicado en: | Dieciocho: Hispanic Enlightenment Vol. 47; no. 2; pp. 151 - 173 |
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| Formato: | Artículo |
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Dieciocho
Fall2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181080023&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181080023 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01630415 2ELN jtl: Dieciocho: Hispanic Enlightenment issn: 01630415 maglogo: N pubinfo: dt: Fall2024 vid: 47 iid: 2 pid: 30791 pub: Dieciocho artinfo: ui: 181080023 ppf: 151 ppct: 22 formats: fmt: @attributes: type: P size: 4.9MB tig: atl: LA ASONANCIA DE RAQUEL DE GARCÍA DE LA HUERTA. aug: au: ÁNGEL LAMA, MIGUEL affil: Universidad de Extremadura su: Dramatists Authors sug: subj: Dramatists Authors ab: In this paper we review some of the structural analyses of the tragedy of the Extremaduran playwright García de la Huerta to highlight a resource that has been invisible so far for the readers of the work: the changes in the assonance of his endecasílabos. These changes occur in situations of dramatic action of special significance, as if they were sound signals about those moments. Furthermore, assonance could be a formal trait with which Huerta wanted to contribute something to the debate on the metric that interested some contemporary authors such as Agustín Montiano, Juan José López de Sedano or Cándido María Trigueros. En este trabajo se repasan algunos de los análisis estructurales de la tragedia del dramaturgo extremeño García de la Huerta para destacar un recurso que ha resultado invisible hasta el momento para los lectores de la obra: los cambios en la asonancia de sus endecasílabos. Se dan estos cambios en situaciones de la acción dramática de especial trascendencia, como si se tratasen de señales sonoras sobre esos momentos. Además, la asonancia pudo ser un rasgo formal con el que Huerta quiso aportar algo al debate sobre la métrica que interesaba a algunos autores coetáneos como Agustín Montiano, Juan José López de Sedano o Cándido María Trigueros. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Dieciocho: Hispanic Enlightenment is the property of Dieciocho and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Dieciocho: Hispanic Enlightenment holder: Dieciocho dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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