Women's Literary Networks and Romanticism : 'A Tribe of Authoresses'

An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The eighteenth century witnessed the rapid expansion of social, political, religious and literary networks in Great Britain. Increased availability of and access to print combi...

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Autores principales: Andrew O. Winckles, Angela Rehbein
Formato: Libro
Publicado: Liverpool University Press 2017
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Acceso en línea:Ver este registro en EBSCOhost
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          Angela Rehbein
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          Andrew O. Winckles
          Angela Rehbein
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        English literature--18th century--History and criticism
        Romanticism--Great Britain
        Women authors, English--Social networks--Great Britain--History--18th century
        Women and literature--Great Britain--History--18th century
        English literature--Women authors--History and criticism
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        subj:
          LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
          HISTORY / Modern / 18th Century
          LITERARY CRITICISM / Feminist
          LITERARY CRITICISM / Modern / 19th Century
          English literature--18th century--History and criticism
          Romanticism--Great Britain
          Women authors, English--Social networks--Great Britain--History--18th century
          Women and literature--Great Britain--History--18th century
          English literature--Women authors--History and criticism
      ab: An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The eighteenth century witnessed the rapid expansion of social, political, religious and literary networks in Great Britain. Increased availability of and access to print combined with the ease with which individuals could correspond across distance ensured that it was easier than ever before for writers to enter into the marketplace of ideas. However, we still lack a complex understanding of how literary networks functioned, what the term ‘network'means in context, and how women writers in particular adopted and adapted to the creative possibilities of networks. This collection of essays address these issues from a variety of perspectives, arguing that networks not only provided women with access to the literary marketplace, but fundamentally altered how they related to each other, to their literary production, and to the broader social sphere. By examining the texts and networks of authors as diverse as Sally Wesley, Elizabeth Hamilton, Susanna Watts, Elizabeth Heyrick, Joanna Baillie, Mary Berry, Mary Russell Mitford, Mary Shelley and Elizabeth Barrett Browning, this volume demonstrates that attention to the scope and influence of women's literary networks upends long standing assumptions about gender, literary influence and authorial formation during the Romantic period. Furthermore, it suggests that we must rethink what counts as literature in the Romantic period, how we read it, and how we draw the boundaries of Romanticism.
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