Curatorial abstraction and the re-animation of the cold war: the re-emergence of an exclusive report on Taiwanese media.
This article examines the role of museums and galleries by considering the case of the exhibition The Wild Eighties: Dawn of a Transdisciplinary Taiwan at the Taipei Fine Arts Museum. It traces two layers of abstraction of the documentary How History Was Wounded: An Exclusive Report on Taiwanese Med...
| Publicado en: | Inter-Asia Cultural Studies Vol. 25; no. 6; pp. 922 - 936 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181482785&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181482785 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14649373 B8U jtl: Inter-Asia Cultural Studies issn: 14649373 maglogo: N pubinfo: dt: Dec2024 vid: 25 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 181482785 10.1080/14649373.2024.2384292 ppf: 922 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.2MB tig: atl: Curatorial abstraction and the re-animation of the cold war: the re-emergence of an exclusive report on Taiwanese media. aug: au: Siddall, Thomas Elias affil: Independent Scholar, Taipei, Taiwan su: Curatorship Museum curatorship 21st century art Art exhibitions Documentary television programs Experimental television programs Taiwan sug: subj: Taiwan Curatorship Museum curatorship 21st century art Art exhibitions Documentary television programs Experimental television programs keyword: abstraction cold war contemporary art Curating ab: This article examines the role of museums and galleries by considering the case of the exhibition The Wild Eighties: Dawn of a Transdisciplinary Taiwan at the Taipei Fine Arts Museum. It traces two layers of abstraction of the documentary How History Was Wounded: An Exclusive Report on Taiwanese Media—by reporters and curators—to argue that curatorial abstraction is a violence of simplification that facilitates the extension of the cold war into the post-cold war world. It does so by first considering the historical context in which the documentary emerges. It then shifts focus toward the context of the exhibition in which it was placed. By placing it in such an erasing way, The Wild Eighties can hail a unified Taiwanese consciousness that simultaneously extends the cold war into post-cold war capitalist social relations. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Inter-Asia Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Inter-Asia Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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