STYLISTIC MEANS OF IMPLEMENTING THE IDEA OF THE WORLD’S IRIDESCENCE IN PH. K. DICK’S “UBIK” IN THE CONTEXT OF TRANSLATION TRANSFORMATIONS.

The article deals with the formation means of the idea of the world’s iridescence or illusiveness, its stylistic and translation aspects within the textual framework of Ph.K. Dick’s novel “Ubik” and its translated version in Ukrainian. The relevance of the study is defined by general scarcity of cur...

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Publicado en:Alfred Nobel University Journal of Philology / Vìsnik Unìversitetu ìm. A. Nobelâ: Serìâ Fìlologìčnì Nauki Vol. 28; no. 2; pp. 348 - 363
Autores principales: ALEKSENKO, Svitlana, TARANENKO, Larysa
Formato: Artículo
Publicado: Alfred Nobel University 2024
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Acceso en línea:Ver este registro en EBSCOhost
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      jtl: Alfred Nobel University Journal of Philology / Vìsnik Unìversitetu ìm. A. Nobelâ: Serìâ Fìlologìčnì Nauki
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      dt: 2024
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        10.32342/3041-217X-2024-2-28-21
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        atl: STYLISTIC MEANS OF IMPLEMENTING THE IDEA OF THE WORLD’S IRIDESCENCE IN PH. K. DICK’S “UBIK” IN THE CONTEXT OF TRANSLATION TRANSFORMATIONS.
      aug:
        au:
          ALEKSENKO, Svitlana
          TARANENKO, Larysa
        affil:
          PhD in Philology, Associate Professor, Sumy State Pedagogical University (Ukraine).
          Doctor of Science in Philology, Full Professor, National Technical University of Ukraine “Igor Sikorsky Kyiv Polytechnic Institute” (Ukraine).
      su:
        Coherent states
        Ukrainian language
        English language
        Scientific method
        Semantics
        Word order
        Ontology
        Modulation (Music theory)
        Syntax (Grammar)
      sug:
        subj:
          Coherent states
          Ukrainian language
          English language
          Scientific method
          Semantics
          Word order
          Ontology
          Modulation (Music theory)
          Syntax (Grammar)
      keyword:
        дієгетична площина
        перекладацька трансформація
        семантична домінанта
        стилістичні засоби
        ідея ілюзорності світу
        дієгетична площина
        перекладацька трансформація
        семантична домінанта
        стилістичні засоби
        ідея ілюзорності світу
      ab: The article deals with the formation means of the idea of the world’s iridescence or illusiveness, its stylistic and translation aspects within the textual framework of Ph.K. Dick’s novel “Ubik” and its translated version in Ukrainian. The relevance of the study is defined by general scarcity of current enquiries highlighting stylistic means of moulding the idea of the world’s iridescence in science fiction as well as translation methods of delivering it from English to Ukrainian. The purpose of this scientific inquiry is to identify the stylistic devices that play a role in the delineation of ways in which reality may be reduced to tatters in comparison with a coherent state of things and to pinpoint the translation techniques of rendering the related contexts from English into Ukrainian. The topicality of the study is determined by the paucity of relevant research focusing on the kernel of the prevailing theme in Dick’s “Ubik”, namely illusiveness of reality, and translation techniques and transformations that help adequately deliver the significant sequences from English into Ukrainian. It is argued that the idea in question being the core of the prevailing theme in Dick’s “Ubik” is attained by means of incorporating several ontological planes represented by mental constructs, or realities, focalised through the perceptions and personalities of different characters of the novel. Contextual and text interpretation analyses enabled the authors to determine and interpret those semantic dominants that underpin the formation of the world’s iridescence effect in the novel, namely: “alternate realities”, “dream as a variant of reality”, “changes in time and space”, “changes of forms of consciousness and existence”. It has been proven these dominants’ diegetic interrelation. The idea of the world’s iridescence in the novel is brought about by the literary work’s fluctuating plot convolutions stemming from seemingly incoherent planes of different sections of the novel: a mosaic of the primary diegesis together with several hypo-diegeses comes across as a kind of an ontic hazy maze building up to an overall effect of the world’s fluidity and oscillation. The method of stylistic analysis was applied to interpret stylistic phenomena inherent in the novel in relation to their contribution to the studied idea as those were found functioning in the relevant textual microcontexts and enhancing the aforementioned semantic dominants. It was estimated that expressive means and devices of stylistic syntax constitute four fifths of the whole researched corpus of units, thus playing a major role in the formation of the idea of the world’s illusiveness (those include aposiopesis, rhetoric questions, asyndeton, and nominative sentences) while expressive means and stylistic devices of stylistic semasiology prove much less numerous, accounting for a fifth of the units analysed (presented by metaphors, epithets, similes, antitheses). Among the typical translation methods, instrumental in the relevant textual sequences in “Ubik”, a share of lexical and semantic transformations equals 60.2% of the researched sets of translation counterparts, with modulation and specification being the dominant ones and logical synonymy, calquing and lexical compensation trailing behind. Grammatical transformations compose nearly two fifths (39.8 %) of the researched body of units, the most efficient ones being substitution and word order change. The results of the study enabled understanding the interaction mechanism of semantics of the leitmotif of a literary work, its stylistic representation and translation solutions of its delivery from English into Ukrainian. We envisage the prospects for further research in studying linguistic aspects of cross-cultural conveying symbolic significance of recurring narrative elements.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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