«МІНУЛАЕ ПЕРАД НАМІ», АЛЬБО ПАДАРОЖЖА Ў АДНУ З МАГЧЫМЫХ ГІСТОРЫЙ БЕЛАРУСКАГА ТЭАТРА
The article navigates both the existing models of the Belarusian theatre history, challenging the narratives constructed by Soviet historiography, and the nationally oriented models that emerged during the post-Soviet era. By focusing on the decolonial methodology and performative theory, particular...
| Published in: | Topos (18150047) no. 2; pp. 129 - 145 |
|---|---|
| Main Author: | |
| Format: | Article |
| Published: |
European Humanities University
2024
|
| Subjects: | |
| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181593877&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181593877 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18150047 32FG jtl: Topos (18150047) issn: 18150047 maglogo: N pubinfo: dt: 2024 iid: 2 pid: 33650 pub: European Humanities University artinfo: ui: 181593877 10.61095/815-0047-2024-2-129-144 ppf: 129 ppct: 16 formats: fmt: @attributes: type: P size: 2.3MB tig: atl: «МІНУЛАЕ ПЕРАД НАМІ», АЛЬБО ПАДАРОЖЖА Ў АДНУ З МАГЧЫМЫХ ГІСТОРЫЙ БЕЛАРУСКАГА ТЭАТРА aug: au: Арцімовіч, Taня affil: Postdoctoral Fellow, University of Erfurt su: Production methods Liberty Geopolitics Structural frames Decolonization sug: subj: Production methods Liberty Geopolitics Structural frames Decolonization keyword: Belarusian theatre body decoloniality history performance ab: The article navigates both the existing models of the Belarusian theatre history, challenging the narratives constructed by Soviet historiography, and the nationally oriented models that emerged during the post-Soviet era. By focusing on the decolonial methodology and performative theory, particularly the bodily approach, the author suggests a reevaluation of key concepts such as "tradition" and "experiment" as the primary categories for structuring the theatre framework concept. The central argument is that decolonizing the theatre history goes beyond the emancipation of the cultural narrative within the geopolitical binary "centre-periphery". The issue is more complex, as it involves a mode of imagination including the emancipation/decolonization/decentralization of theatrical production methods. This approach might facilitate the emergence of multiple historical narratives. pubtype: Academic Journal doctype: Article src: R language: Belarusian refInfo: copyright: @attributes: flag: Y custom: Copyright of Topos (18150047) is the property of European Humanities University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Topos (18150047) holder: European Humanities University dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
|---|