Electronic literary creation: dialogues through cultural recycling.
This article analyzes digital recycling as a cultural strategy through which it is possible to recognize the dialogue between popular digital culture and the most avant-garde electronic creation. Due to its experimental nature, electronic creation provides conceptual and aesthetic strategies to unde...
| Publicado en: | Neohelicon Vol. 51; no. 2; pp. 561 - 579 |
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| Formato: | Artículo |
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Springer Nature
Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181710904&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181710904 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03244652 OK8 jtl: Neohelicon issn: 03244652 maglogo: N pubinfo: dt: Dec2024 vid: 51 iid: 2 pid: 237 pub: Springer Nature artinfo: ui: 181710904 10.1007/s11059-024-00749-6 ppf: 561 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 992KB tig: atl: Electronic literary creation: dialogues through cultural recycling. aug: au: Gómez, Laura Sánchez affil: https://ror.org/02p0gd045 Department of Didactics of Languages and Arts, University Complutense of Madrid, Madrid, Spain su: Hypertext literature Experimental literature Authorship Automation Cultural studies sug: subj: Hypertext literature Experimental literature Authorship Automation Cultural studies keyword: Communication and Culture Cultural Studies Cultural recycling Electronic art Electronic literature Language Postproduction Remix ab: This article analyzes digital recycling as a cultural strategy through which it is possible to recognize the dialogue between popular digital culture and the most avant-garde electronic creation. Due to its experimental nature, electronic creation provides conceptual and aesthetic strategies to understand and analyze digital cultural processes. This work analyzes the processes in which recycling becomes a protagonist. The strategy of cultural recycling is not novel. It proposes a reconfiguration of the viewer's gaze in front of the work that starts from the historical avant-garde and has a critical intention towards the concept of authorship, the canon, and originality of creative processes. Nevertheless, through the study of the characteristics of the digital ecosystem, we show how the practice of recycling changes considerably, acquiring great prominence and becoming a defining feature of digital cultural behavior today through the naturalization and automation of its processes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neohelicon is a copyright of Springer, 2024. All Rights Reserved. item: Neohelicon holder: Springer Nature dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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