The algorithmic art: Exploring the intersection of human imagination and AI technology.
Today, many people perceive that algorithmic art is the result of recent innovations. The key word here is ‘perceive’ as neither Frieder Nake (born 1938) nor Harold Cohen (1928–2016), the pioneers of algorithmic art, are rarely mentioned within the current epistemic context. Nake’s first public cont...
| Publicado en: | Ekphrasis (2067-631X) Vol. 32; no. 2; pp. 48 - 73 |
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| Autores principales: | , |
| Formato: | Artículo |
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Babes-Bolyai University, Faculty of Theatre & Television
2024
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181791012&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181791012 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 2067631X H6D0 jtl: Ekphrasis (2067-631X) issn: 2067631X maglogo: N pubinfo: dt: 2024 vid: 32 iid: 2 pid: 91118 pub: Babes-Bolyai University, Faculty of Theatre & Television artinfo: ui: 181791012 10.24193/ekphrasis.32.3 ppf: 48 ppct: 25 formats: fmt: @attributes: type: P size: 2.2MB tig: atl: The algorithmic art: Exploring the intersection of human imagination and AI technology. aug: au: COLSON, Alicia J. M. GROSS, Eduard-Claudiu affil: University of Central Lancashire, UK. Lucian Blaga University of Sibiu. su: Generative artificial intelligence Computer art Agent (Philosophy) Power (Social sciences) Artificial intelligence Imagination sug: subj: Generative artificial intelligence Computer art Agent (Philosophy) Power (Social sciences) Artificial intelligence Imagination keyword: Authorship Creativity Generative AI Human Imagination Human-machine synergy ab: Today, many people perceive that algorithmic art is the result of recent innovations. The key word here is ‘perceive’ as neither Frieder Nake (born 1938) nor Harold Cohen (1928–2016), the pioneers of algorithmic art, are rarely mentioned within the current epistemic context. Nake’s first public contribution to computer art was in three exhibitions in 1965. Obviously, Nake’s and Cohen’s roles are fundamental, and their contributions must be considered in any discussion seeking to understand the role of human imagination in algorithmic creation. The present paper aims to address the human role in the creation of art by means of generative artificial intelligence. The creative sector appears to be gradually embracing AI-generated content as one of many categories of images, but it is clear that the worldviews of those involved have consequences on both the AI tools created and the outcome as ‘art’. The complex relationship between algorithmic autonomy and human agency is discussed in order to establish any underlying power dynamics and disparities in the technological environment of the ‘art’ world. This discussion utilizes the case study approach so to examine current applications of AI in creative campaigns in order to provide real-world examples and empirical data. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Ekphrasis (2067-631X) is the property of Babes-Bolyai University, Faculty of Theatre & Television and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Ekphrasis (2067-631X) holder: Babes-Bolyai University, Faculty of Theatre & Television dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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