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(META)REFLEKSIVNI LIRSKI SUBJEKT I TIJELO: STILISTIČKA KONCEPTUALIZACIJA PJESNIČKE KNJIGE IPAK, ZORA TOMISLAVA AUGUSTINČIĆA.

This paper examines the first poetry book by Tomislav Augustinčić, a contemporary Croatian theoretician, poet, and literary critic, entitled Ipak, zora (Still, Dawn). Analysis and interpretation are focused on the (meta)reflexive lyrical subject and body as the central thematic aspect of the book. T...

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Publicado en:Croatica et Slavica Iadertina Vol. 20; no. 2; pp. 195 - 218
Autor principal: Šunjić, Ivan
Formato: Artículo
Publicado: University of Zadar, Department of Croatian & Slavic Studies 2024
Materias:
Critics
Open-ended questions
Reflexivity
Poetry (Literary form)
Tin
Acceso en línea:Ver este registro en EBSCOhost
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      dt: 2024
      vid: 20
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      pub: University of Zadar, Department of Croatian & Slavic Studies
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        10.15291/csi.4612
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        atl: (META)REFLEKSIVNI LIRSKI SUBJEKT I TIJELO: STILISTIČKA KONCEPTUALIZACIJA PJESNIČKE KNJIGE IPAK, ZORA TOMISLAVA AUGUSTINČIĆA.
      aug:
        au: Šunjić, Ivan
      su:
        Critics
        Open-ended questions
        Reflexivity
        Poetry (Literary form)
        Tin
      sug:
        subj:
          Critics
          Open-ended questions
          Reflexivity
          Poetry (Literary form)
          Tin
      keyword:
        “long poem”
        “Still
        (meta)reflexive lyrical subject
        body
        conceptuality
        contemporary Croation poetry
        Dawn”
        discourse stylistics
        poema
        polydiscursiveness
        Tomislav Augustinčić
        „dugačka pjesma”
        „Ipak
        (meta)refleksivni lirski subjekt
        diskursna stilistika
        konceptualnost
        polidiskurzivnost
        suvremeno hrvatsko pjesništvo
        tijelo
        Tomislav Augustinčić
        zora”
      ab:
        This paper examines the first poetry book by Tomislav Augustinčić, a contemporary Croatian theoretician, poet, and literary critic, entitled Ipak, zora (Still, Dawn). Analysis and interpretation are focused on the (meta)reflexive lyrical subject and body as the central thematic aspect of the book. The first part of the paper opens a question of this poetry book as a conceptual whole as well as its possible genre classifications, and chooses the genre mode – “long poem” or narrative poem – through which it is analysed and interpreted. In the second part of the paper, the focus in on the issue of the lyrical subject and/as a body, with an emphasis on time and space, intimistic and erotic (love) thematic scope, and metadiscursive relationships. In accordance with the theme of the journal in which it is published, the work is methodologically based on the contemporary stylistic reconceptualization of poetry and poetic style regarding the category of lyrical subject, poetic reflexivity, and imagery, as well as the metadiscursive poetic relations (Tin Lemac). The paper presents polydiscursiveness as a poetic and stylisticians constituent of this poetry book.
        Rad se bavi prvom pjesničkom knjigom Ipak, zora Tomislava Augustinčića, suvremenog hrvatskog znanstvenika, pjesnika i književnog kritičara. U središtu analize i interpretacije je (meta)refleksivni lirski subjekt i tijelo kao središnji tematski aspekt knjige. U prvom dijelu rada otvara se pitanje pjesničke knjige kao konceptualne cjeline, njezinih mogućih žanrovskih odrednica, te se odabire žanrovski modus – „duge pjesme” ili poeme – kroz koji se analizira i interpretira. U drugom dijelu rada obrađuje se problematika lirskog subjekta i/kao tijela, s naglaskom na prostoru i vremenu, intimističkom i ljubavno-erotskom tematskom krugu te metadiskurzivnim relacijama. Sukladno tematu časopisa u kojem se objavljuje, rad je metodološki zasnovan na suvremenoj stilističkoj rekonceptualizaciji poezije i poetskog stila glede kategorija lirskog subjekta, pjesničke refleksivnosti i slikovitosti te metadiskurzivnih pjesničkih relacija (Tin Lemac). Rad ukazuje na polidiskurzivnost kao poetičko-stilski konstituens tematizirane poetske knjige.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Croatian
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      custom: Copyright of Croatica et Slavica Iadertina is the property of University of Zadar, Department of Croatian & Slavic Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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      holder: University of Zadar, Department of Croatian & Slavic Studies
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          year: 2024
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