A Precipitate of Collective Dreams: Piglia, Stern, and Jacoby on a New Art of the Media.
Whereas Ricardo Piglia's work has often been read through the literary traditions he so neatly sketched out, this article situates Ricardo Piglia's La ciudad ausente in the artistic avant-garde of the mid-twentieth century in Buenos Aires. We focus on two significant moments in Argentine cultural hi...
| Publicado en: | Revista Hispánica Moderna (0034-9593) Vol. 77; no. 2; pp. 180 - 200 |
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| Autores principales: | , |
| Formato: | Artículo |
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University of Pennsylvania Press
Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181863577&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181863577 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00349593 3BJ5 jtl: Revista Hispánica Moderna (0034-9593) issn: 00349593 maglogo: N pubinfo: dt: Dec2024 vid: 77 iid: 2 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 181863577 10.1353/rhm.2024.a945269 ppf: 180 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 320KB tig: atl: A Precipitate of Collective Dreams: Piglia, Stern, and Jacoby on a New Art of the Media. aug: au: Corrigan, Anna Fonseca, Carlos affil: University of Cambridge su: Media art Artistic influence Cultural history Art materials Oral interpretation sug: subj: Media art Artistic influence Cultural history Art materials Oral interpretation keyword: ART OF THE MEDIA GRETE STERN RICARDO PIGLIA ROBERT JACOBY UTOPIA ab: Whereas Ricardo Piglia's work has often been read through the literary traditions he so neatly sketched out, this article situates Ricardo Piglia's La ciudad ausente in the artistic avant-garde of the mid-twentieth century in Buenos Aires. We focus on two significant moments in Argentine cultural history that appear within the novel that, we argue, suggest an approach to resistance as informed by a technique of infiltration: Grete Stern's Sueños photomontages (1948-1952, 1968) and the Happening por un jabalí difunto (1966) by the group Arte de los medios de comunicación. The strains of utopia that appear throughout La ciudad ausente are considered in light of the possible utopianism present as well in these artistic initiatives, which undermine and reveal hegemonic narratives transmitted through mass media with a parodic and dissenting appropriation of these forms of communication. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Hispánica Moderna (0034-9593) is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Hispánica Moderna (0034-9593) holder: University of Pennsylvania Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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