GRITOS ANTIIMPERIALISTAS EN LES FANTOCHES DE JACQUES ROUMAIN.

This article proposes a reading of the novel Les Fantoches by Jacques Roumain, whose historical-social setting focuses on the military occupation of the United States in Haiti (1915-1934) and on a bourgeois society that is assimilated with European / French culture and has become an accomplice of th...

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Published in:Revista Chilena de Literatura no. 109; pp. 359 - 386
Main Author: Maldonado-Cabello, Verónica
Format: Article
Published: Universidad de Chile may2024
Subjects:
Online Access:View this record in EBSCOhost
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        au: Maldonado-Cabello, Verónica
        affil: Universidad de Chile Santiago, Chile
      su:
        Anti-imperialist movements
        United States armed forces
        American authors
        Indigenism
        Accomplices
        Folklore
        Haiti
      sug:
        subj:
          Haiti
          Anti-imperialist movements
          United States armed forces
          American authors
          Indigenism
          Accomplices
          Folklore
      keyword:
        Anti-imperialism
        antiimperialismo
        El grito
        Haití
        indigenismo
        Jacques Roumain
      ab:
        This article proposes a reading of the novel Les Fantoches by Jacques Roumain, whose historical-social setting focuses on the military occupation of the United States in Haiti (1915-1934) and on a bourgeois society that is assimilated with European / French culture and has become an accomplice of the invading country. From the approaches of the Haitian indigenous movement of anti-imperialist resistance and in articulation with the text "El Grito" by Gabriela Mistral, this article focuses on the representations of the young bourgeois society and its appearances, of the role of the writer in the context of the American occupation, and of the elements of popular culture that are briefly presented in the novel. The analysis seeks to show the implications that cultural mimicry, complicity with the occupation and the interference of Haitian folklore, have for bourgeois society through its characters.
        Este artículo propone una lectura de la novela Les Fantoches de Jacques Roumain, cuyo escenario histórico-social se centra en la ocupación militar de Estados Unidos en Haití (1915-1934) y en una sociedad burguesa que se asimila con la cultura europea/francesa y se enriquece bajo la complicidad con el país invasor. Desde los planteamientos del movimiento del indigenismo haitiano de resistencia antiimperialista y en articulación con el texto El grito de Gabriela Mistral, este artículo se centra en las representaciones de la joven sociedad burguesa y de sus apariencias, en el rol del escritor en el contexto de la ocupación estadounidense y de los elementos de la cultura popular que se presentan brevemente en la novela. El análisis busca evidenciar las implicancias que el mimetismo cultural, la complicidad con la ocupación y la incorporación de elementos que pertenecen al folclore haitiano, tienen para la sociedad burguesa a través de sus personajes.
      pubtype: Academic Journal
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      src: R
    language: Spanish
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