Affective Acoustic Territories: Mapping and performing Disappearance in Zona clausurada Sombra (2022) by Teatro Línea de.
On August 14, 2012, driving along what has become known as Mexico's "Carretera de la Muerte," Milynali Pérez, her three cousins, her uncle, and their car all disappeared as they approached Ciudad Mante, Tamaulipas. Since that day, Graciela Pérez, Milynali's mother, has arduously searched for answers...
| Published in: | Hispanic Review Vol. 92; no. 3; pp. 427 - 453 |
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| Format: | Article |
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University of Pennsylvania Press
Summer2024
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181951403&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181951403 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Summer2024 vid: 92 iid: 3 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 181951403 10.1353/hir.2024.a948077 ppf: 427 ppct: 26 formats: fmt: – @attributes: type: T – @attributes: type: P size: 5.4MB tig: atl: Affective Acoustic Territories: Mapping and performing Disappearance in Zona clausurada Sombra (2022) by Teatro Línea de. aug: au: Baker, Christina affil: Temple University su: Performance theory Acoustics Mothers Affect (Psychology) Genealogy sug: subj: Performance theory Acoustics Mothers Affect (Psychology) Genealogy keyword: Affect Buscadores Christina Baker Disappearance Mexico Performance Sound Studies Tamaulipas Teatro Línea De Sombra Theatre ab: On August 14, 2012, driving along what has become known as Mexico's "Carretera de la Muerte," Milynali Pérez, her three cousins, her uncle, and their car all disappeared as they approached Ciudad Mante, Tamaulipas. Since that day, Graciela Pérez, Milynali's mother, has arduously searched for answers and her daughter's remains, becoming one of Mexico's numerous buscadores. Moved by her story, Teatro Línea de Sombra (TLS) created Zona clausurada (2022) to relate the ruptured genealogies that have devastated Graciela's family, as well as myriad families in Tamaulipas and the nation. Emphasizing the sounds Graciela associates with Milynali's life and silences that characterize her disappearance, the performance-installation underscores the power of sound to affect us physically and emotionally. Employing what I call an acoustic affective map, I analyze how auditory recordings of search efforts, artistic prerecorded and live voices, and vocal interpretations of songs from Graciela's personal Spotify playlist remap affective triggers. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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