Lully's music in northern Europe: evidence of early circulation in Swedish libraries.
At Jean-Baptiste Lully's death in 1687, music from his stage works was already circulating within and outside France, and was used and praised by 'all connoisseurs' in Europe (according to Dutch music publisher Amédée Le Chevalier). This was at a point when many of Lully's works were still not print...
| Publicado en: | Early Music Vol. 52; no. 2; pp. 190 - 204 |
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| Formato: | Artículo |
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Oxford University Press / USA
May2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=181969976&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 181969976 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03061078 EMU jtl: Early Music issn: 03061078 maglogo: N pubinfo: dt: May2024 vid: 52 iid: 2 pid: 622 pub: Oxford University Press / USA artinfo: ui: 181969976 10.1093/em/caae031 ppf: 190 ppct: 14 formats: tig: atl: Lully's music in northern Europe: evidence of early circulation in Swedish libraries. aug: au: Schildt, Maria su: Lully, Jean Baptiste, 1632-1687 Opera Music publishers Library circulation & loans Music industry Musicals sug: subj: Lully, Jean Baptiste, 1632-1687 Opera Music publishers Library circulation & loans Music industry Musicals keyword: cultural transfer Finspong collection guitar Jean-Baptiste Lully music circulation opera airs Rémy Médard tablature ab: At Jean-Baptiste Lully's death in 1687, music from his stage works was already circulating within and outside France, and was used and praised by 'all connoisseurs' in Europe (according to Dutch music publisher Amédée Le Chevalier). This was at a point when many of Lully's works were still not printed and the Parisian music dealers had not yet started their business with his music. Surviving manuscript sources from the dissemination of Lully's music before his death are few and fragmentary and have sometimes survived at a geographical distance from Paris. This article investigates a handful of previously unconsidered music sources, copied or printed in France in the 1670s and early 1680s, which were acquired by various members of northern aristocratic families and have survived in Swedish libraries. Viewed as a whole, these seemingly disparate sources can throw light on the details of the early circulation of Lully's music, as well as on musical practices of the elites in late 17th-century Europe. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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