The Complex Epigraph in Agustín Fernández Mallo's Poetry.
The epigraph, an undertheorized genre, is a paratextual apparatus that almost always serves as a tool of filiation, a method for asserting a work's place in a linear, reverential canon. Agustín Fernández Mallo's abundant epigraphs, then, might seem incoherent or contradictory at the outset of poems...
| Publicado en: | Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America Vol. 101; no. 10; pp. 1519 - 1545 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Dec2024
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=182024022&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 182024022 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14753820 J1X jtl: Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America issn: 14753820 maglogo: N pubinfo: dt: Dec2024 vid: 101 iid: 10 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 182024022 10.1080/14753820.2024.2419772 ppf: 1519 ppct: 26 formats: tig: atl: The Complex Epigraph in Agustín Fernández Mallo's Poetry. aug: au: Ludington, Zachary Rockwell affil: University of Maine su: Epigraphs (Literature) Inscriptions Poetry (Literary form) Remedial reading teaching Sampling (Process) sug: subj: Epigraphs (Literature) Inscriptions Poetry (Literary form) Remedial reading teaching Sampling (Process) keyword: Complexity Decontextualization Epigraph Pospoesía/Postpoetry Teoría general de la basura Trash Twentieth and Twenty-First Century Spanish Poetry Agustín Fernández Mallo ab: The epigraph, an undertheorized genre, is a paratextual apparatus that almost always serves as a tool of filiation, a method for asserting a work's place in a linear, reverential canon. Agustín Fernández Mallo's abundant epigraphs, then, might seem incoherent or contradictory at the outset of poems and collections explicitly built on an iconoclastic and resolutely anti-linear praxis of sampling, appropriation and decontextualization. This article shows how the recontextualization, remediation and resignification that Fernández Mallo exercises upon the epigraphs in his poetry enact the 'complex' poetics he proposes in his Teoría general de la basura and other essays. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
|---|