| Sumario: | Among the most ubiquitous ritual implements in modern Taiwan, the ritual whip functions to dispel demons and to summon spirit soldiers, the material embodiment of a fearsome serpent deity. Known as Saint Golden Whip, a standard ritual whip has a wooden handle carved in the likeness of a snake, a dragon, or a hybrid of the two, and a thong at least six feet in length, woven from straw rope. Despite the prevalence of these ritual whips, scholars have yet to examine the people involved in making them; the stories of these artists have largely been lost to history, their methods unrecorded and unknown. This article details as a case study the production of a single ritual whip, telling the stories of the carver who shapes its handle and the weaver who braids its tail. Both artists discover their own improvisations to navigate the space between invention and inheritance, highlighting how cultural traditions take on new forms and find new expressions, as these traditions move forward from person to person, from one generation to the next.
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