W.G. Sebald's Austerlitz and the Problems of Representation.

In W.G. Sebald's novel Austerlitz (2001), the eponymous protagonist's investigation into his origins induces a dynamic reinterpretation of his past and consequent reformulation of his identity that is deeply informed by cultural and historical determinants. Austerlitz and his unnamed interlocutor's...

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Publicado en:Journal of Modern Literature Vol. 48; no. 1; pp. 162 - 178
Autor principal: Hanssen, Ken R.
Formato: Artículo
Publicado: Indiana University Press Fall2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: W.G. Sebald's Austerlitz and the Problems of Representation.
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        au: Hanssen, Ken R.
        affil: Nord University, Norway
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        Sebald, Winfried Georg, 1944-2001
        Austerlitz (Book : Sebald)
        Ambiguity
        Collective memory
        Aesthetics
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          Sebald, Winfried Georg, 1944-2001
          Austerlitz (Book : Sebald)
          Ambiguity
          Collective memory
          Aesthetics
      keyword:
        Austerlitz
        emplotment
        representation
        trauma
        Winfried Georg Sebald
      ab: In W.G. Sebald's novel Austerlitz (2001), the eponymous protagonist's investigation into his origins induces a dynamic reinterpretation of his past and consequent reformulation of his identity that is deeply informed by cultural and historical determinants. Austerlitz and his unnamed interlocutor's conversations over a period of 30 years not only explore the nature and impact of individual and collective trauma, but also enact the inherent ambiguities of its narrative representation, raising worthwhile concerns about reliability and validity. At the confluence of personal and historical memory, where archive serves an end that is aesthetic as much as efferent, this ongoing phenomenological-hermeneutic effort at negotiating meaning ultimately rehearses the possibilities and limitations of literature as a source of knowledge.
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