National Policies and Their Reverberations on the Art Making and Art Scenes in Malaysia under Mahathir Mohamed's Premiership.
This article examines the direct and indirect reverberations of the 1971 National Culture Policy, followed by the indirect impact of the Islamic resurgence and the 1985 Dasar Penerapan Nilai-Nilai Islam dalam Pentadbiran (Inculcation of Islamic Values in Administration Policy) on Malaysian art and a...
| Publicado en: | Wacana Seni Journal of Arts Discourse Vol. 23; pp. 1 - 16 |
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| Formato: | Artículo |
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Universiti Sains Malaysia
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=182205689&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 182205689 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 16753410 8H42 jtl: Wacana Seni Journal of Arts Discourse issn: 16753410 maglogo: N pubinfo: dt: 2024 vid: 23 pid: 22353 pub: Universiti Sains Malaysia artinfo: ui: 182205689 10.21315/ws2024.23.1 ppf: 1 ppct: 15 formats: fmt: @attributes: type: P size: 5.1MB tig: atl: National Policies and Their Reverberations on the Art Making and Art Scenes in Malaysia under Mahathir Mohamed's Premiership. aug: au: Abdullah, Sarena affil: School of The Arts, Universiti Sains Malaysia, 11800 USM, Pulau Pinang, MALAYSIA su: Islamic art & symbolism Government policy Economic policy Islamization Islam sug: subj: Islamic art & symbolism Government policy Economic policy Islamization Islam keyword: Islamic art Islamization policy Mahathir Mohamed Malaysia art National Culture Policy ab: This article examines the direct and indirect reverberations of the 1971 National Culture Policy, followed by the indirect impact of the Islamic resurgence and the 1985 Dasar Penerapan Nilai-Nilai Islam dalam Pentadbiran (Inculcation of Islamic Values in Administration Policy) on Malaysian art and art scene. The National Culture Policy (NCP), reiterated the ethnic preference policy of the National Economic Policy which resulted in an espoused policy that centres on Malay culture and Islam. Although there were incongruences and inconsistencies in the impact of the policy towards the art field in general, this policy has resulted in the rethinking of the presentation of art in Malaysia. This article first discusses the context of the NCP and traced how many exhibitions and discourses along the line of Islamic/Malay culture are frequently organised. This article also discusses the tendency of the artworks that were selected to be included in these exhibitions based on the selection of works that alludes to Islamic art, the Malay culture and works that have both elements of Islam and Malayness. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Wacana Seni Journal of Arts Discourse is the property of Universiti Sains Malaysia and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Wacana Seni Journal of Arts Discourse holder: Universiti Sains Malaysia dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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