هىيت انجسذ واست لًاك ان اًضي والأراجىز وجري تً انعصر)قراءة في يسرحيت الأياو ان خً ىًرة نسعذ الله ونىس(
This study addresses the play "The Drunken Days" by Syrian playwright Saadallah Wannous, focusing on the concepts of identity, the body, and the invocation of the past through the symbolism of the puppeteer and its relation to the crime of the era. The study explores how Wannous uses the puppeteer a...
| Published in: | International Journal on Humanities & Social Sciences Vol. 63; pp. 238 - 252 |
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| Format: | Article |
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International Journal on Humanities & Social Sciences
Dec2024
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| Online Access: | View this record in EBSCOhost |