Freak out! At the acousmonium: François Bayle and the dynamics of the subject.

French electroacoustic music in the post-war decades has typically been associated with a high modernism that spurned popular or mass culture. This article situates electroacoustic music in the late 1960s and 1970s in relation to the transformation of the cultural field in this period, which unsettl...

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Publicado en:	French Cultural Studies Vol. 36; no. 1; pp. 79 - 95
Autor principal:	Ridout, Sam
Formato:	Artículo
Publicado:	Sage Publications Inc. Feb2025
Materias:	French music Social impact Poststructuralism Cultural relations Subjectivity Computer music Counterculture
Acceso en línea:	Ver este registro en EBSCOhost