À propos de trois oeuvres poétiques de Carmelina Sánchez-Cutillas.

The subject of this study are three collections of poems in Catalan by Carmelina Sánchez-Cutillas (1921-2009). We first consider Conjugació en primera persona (Conjugation in the First Person 1969), which we 'read' as a poetic autobiography in the feminine. We then focus on the enigmatic Els jeroglí...

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Publicado en:Scripta no. 24; pp. 270 - 304
Autor principal: LÉPINETTE, BRIGITTE
Formato: Artículo
Publicado: Scripta des2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: À propos de trois oeuvres poétiques de Carmelina Sánchez-Cutillas.
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        au: LÉPINETTE, BRIGITTE
        affil: Universitat de València
      su:
        Poetry collections
        Grief
        Heart
        Poetry (Literary form)
        Criticism
        Poetics
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          Poetry collections
          Grief
          Heart
          Poetry (Literary form)
          Criticism
          Poetics
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        Analysis
        Poems
        Analyse
        Carmelina Sánchez-Cutillas
        Critique
        Poèmes
        Poétique
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        The subject of this study are three collections of poems in Catalan by Carmelina Sánchez-Cutillas (1921-2009). We first consider Conjugació en primera persona (Conjugation in the First Person 1969), which we 'read' as a poetic autobiography in the feminine. We then focus on the enigmatic Els jeroglífics i la pedra de Rosetta (Hieroglyphs and the Stone of Rosette 1976). Finally, the last of the three, Llibre d'amic i amada (The Book of the Friend and the Beloved, 1980), which inevitably recalls Ramon Llull's work of almost the same name, is subtitled, for us, significantly: "The heart overflowing with love and sorrow", as the author had already announced beforehand.
        Dans cette étude nous prenons pour objet trois recueils de poèmes en catalan, oeuvres de Carmelina Sánchez-Cutillas (1921-2009). Nous considérons d'abord Conjugació en primera persona (Conjugaison à la première personne, 1969) et nous y 'lisons' les poèmes qui le constituent comme une autobiographie poétique au féminin. Nous considérons également l'énigmatique Els jeroglífics i la pedra de Rosetta (Les hiéroglyphes et la pierre de Rosette 1976). Enfin, au dernier d'entre eux, le Llibre d'Amic e Amada (Le Livre de l'ami et de l'aimée, 1980), rappelant obligatoirement l'oeuvre presque homonyme de Raymond Lulle, nous lui donnons comme sous-titre, pour nous, significatif: « Le coeur empli d'amour et de regrets », selon ce qu'annonçait déjà l'exergue de l'auteure.
      pubtype: Academic Journal
      doctype: Article
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    language: French
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