Martial Dance: Stage Wushu as a Performing Art.
The current Chinese martial arts have at least three major values or functions – combat, health, and art. However, the combative value has been weakened while its healthy and aesthetic values have been strengthened in mass culture. With the development of digital technology, the media for disseminat...
| Publicado en: | Critical Arts: A South-North Journal of Cultural & Media Studies Vol. 38; no. 6; pp. 99 - 110 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Dec2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=182876815&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 182876815 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02560046 CTA jtl: Critical Arts: A South-North Journal of Cultural & Media Studies issn: 02560046 maglogo: N pubinfo: dt: Dec2024 vid: 38 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 182876815 10.1080/02560046.2024.2340128 ppf: 99 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 960KB tig: atl: Martial Dance: Stage Wushu as a Performing Art. aug: au: Dong, Guojun affil: School of Humanities, Gansu Agricultural University, Lanzhou, People's Republic of China su: Chinese martial arts Performing arts Digital technology Media studies Dance sug: subj: Chinese martial arts Performing arts Digital technology Media studies Dance keyword: kung fu dance drama martial dance performing art Stage wushu wushu performance troupe ab: The current Chinese martial arts have at least three major values or functions – combat, health, and art. However, the combative value has been weakened while its healthy and aesthetic values have been strengthened in mass culture. With the development of digital technology, the media for disseminating visual cultural products have been broadened to film and television, advertising, performing arts, photography, video games, and so on. The inherent aesthetic quality of Chinese martial arts has been fully explored, reshaping the performativity of stage wushu in kung fu dance drama and wushu performance troupe with Shaolin Kung Fu as its core. This paper investigates the historical origin, present representation, and cultural connotation of stage wushu in accordance with performance theories and media culture theories and concludes that stage wushu is a type of hyper-real martial arts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Critical Arts: A South-North Journal of Cultural & Media Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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