Spectrums of Co-Creation: An Analysis of the Co-Creation Process in the Development of the Irish National Opera's Community VR Opera, Out of the Ordinary/As an nGnách.
This article examines a hybrid co-creation process facilitated by the Irish National Opera as part of the Europe-wide Traction project. It explores the digital and physical spaces that enabled the creation of a virtual reality community opera, at the height of the Covid-19 pandemic. It triangulates...
| Publicado en: | Journal of Arts Management, Law & Society Vol. 54; no. 5; pp. 295 - 315 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=182980600&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 182980600 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10632921 ARM jtl: Journal of Arts Management, Law & Society issn: 10632921 maglogo: N pubinfo: dt: 2024 vid: 54 iid: 5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 182980600 10.1080/10632921.2024.2442947 ppf: 295 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 6.4MB tig: atl: Spectrums of Co-Creation: An Analysis of the Co-Creation Process in the Development of the Irish National Opera's Community VR Opera, Out of the Ordinary/As an nGnách. aug: au: Wandel-Brannigan, Caoimhe Matamala, Anna affil: Trinity College Dublin, Dublin, Ireland Universitat Autònoma de Barcelona, Bellaterra, Spain su: Artistic creation Digital technology Art & society COVID-19 pandemic Computer art sug: subj: Artistic creation Digital technology Art & society COVID-19 pandemic Computer art keyword: Co-creation community art digital media opera virtual reality ab: This article examines a hybrid co-creation process facilitated by the Irish National Opera as part of the Europe-wide Traction project. It explores the digital and physical spaces that enabled the creation of a virtual reality community opera, at the height of the Covid-19 pandemic. It triangulates qualitative and quantitative data collected from evaluation instruments including questionnaires, evaluation logs and semi-structured interviews with professional and nonprofessional artists across a two-year period. Key findings indicate that the incorporation of digital technologies in co-creation can enhance a dynamic, collaborative, nonhierarchical process and environment for both professional and nonprofessional artists, though its limitations are also exposed. The project's value is largely derived through its democratic and experimental underpinnings, though the potential for asymmetrical power dynamics is observed. Finally, it highlights that authentically engaging communities in an artistic process necessitates that they recognize themselves within the very structures of the project itself. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Arts Management, Law & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Arts Management, Law & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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