Cover Image
QR Code

Wars in colour. Critical perspectives on digital colourisation in historical documentaries.

The article analyses the phenomenon created by colouring black and white archival footage in Revolution in Colour (Martin Dwan, 2016) and Warsaw Uprising (Powstanie Warszawskie, Jan Komasa, 2014) and focuses on how the contemporary cultural and media environment affects our perceptual mechanisms and...

Full description

Published in:Visual Studies Vol. 40; no. 1; pp. 30 - 41
Main Author: Simor, Kamilla
Format: Article
Published: Taylor & Francis Ltd Feb2025
Subjects:
Media studies
Color motion pictures
Digital images
Digital technology
Film studies
Online Access:View this record in EBSCOhost

Internet

View this record in EBSCOhost