Felicities in Chinese Web Novel Genres.
This introduction considers genre fiction as a field of popular cultural production that breeds generic hybridity and diversity while seeking differentiation from mainstream genres in contemporary Chinese literature. It presents the "newness" of Chinese web novels as rooted in the digital mediascape...
| Publicado en: | Chinese Literature & Thought Today Vol. 55; no. 3/4; pp. 4 - 18 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=183347519&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 183347519 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 27683524 N4K5 jtl: Chinese Literature & Thought Today issn: 27683524 maglogo: N pubinfo: dt: 2024 vid: 55 iid: 3/4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 183347519 10.1080/27683524.2024.2427555 ppf: 4 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 805KB tig: atl: Felicities in Chinese Web Novel Genres. aug: au: Yang, Renren su: Fiction genres Popular fiction Chinese literature Fiction Literary form sug: subj: Fiction genres Popular fiction Chinese literature Fiction Literary form ab: This introduction considers genre fiction as a field of popular cultural production that breeds generic hybridity and diversity while seeking differentiation from mainstream genres in contemporary Chinese literature. It presents the "newness" of Chinese web novels as rooted in the digital mediascape they inhabit, where the production, circulation, and consumption of popular genres align with new media principles. Countering dismissive views on genre fiction, it demonstrates how web-based fiction genres engage with historical, social, and political realities, showcases the interplay between literary fiction and genre fiction, and advocates for a shift from text-focused to context-sensitive genre criticism where popular genres are repositioned within a broader technological, industrial, and social framework. Finally, the introduction envisions a sensuous form of unalienated playbour in the excessive and abundant customization of Chinese web novel genres. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Chinese Literature & Thought Today is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Chinese Literature & Thought Today holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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