Just How Radical Is Radical: Children's Picture Books and Trans Youth.

This paper analyses the Australian children's picture books The Gender Fairy, by Jo Hirst and Libby Wirt, and Introducing Teddy: A Gentle Story About Gender and Friendship, by Jess Walton and Dougal MacPherson. Both are examples of a rare engagement by Australian children's authors and illustrators;...

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Publicado en:Children's Literature in Education Vol. 56; no. 1; pp. 17 - 34
Autores principales: Bedford, Alison, Brömdal, Annette, Kerby, Martin, Baguley, Margaret
Formato: Artículo
Publicado: Springer Nature Mar2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Just How Radical Is Radical: Children's Picture Books and Trans Youth.
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        au:
          Bedford, Alison
          Brömdal, Annette
          Kerby, Martin
          Baguley, Margaret
        affil: https://ror.org/04sjbnx57 School of Education, University of Southern Queensland, Toowoomba, QLD, Australia
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        Picture books for children
        Gender Fairy, The (Book)
        Transgender people
        Radicalism
        Ideology
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          Picture books for children
          Gender Fairy, The (Book)
          Transgender people
          Radicalism
          Ideology
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        Australia
        Children
        Gender identity
        Picture books
        Trans
        Transgender
      ab: This paper analyses the Australian children's picture books The Gender Fairy, by Jo Hirst and Libby Wirt, and Introducing Teddy: A Gentle Story About Gender and Friendship, by Jess Walton and Dougal MacPherson. Both are examples of a rare engagement by Australian children's authors and illustrators; indeed, Hirst has the distinction of being the first Australian author of a picture book with a trans protagonist. The authors and illustrators engage with trans issues within a socio-political context that continues to problematise gender identity, particularly when it pertains to young children. To circumvent at least some of the controversy their efforts might generate, the authors and illustrators balance the radical potential of their subject matter with the perceived needs of the marketplace and the constraints imposed by the genre. In doing so, they create books that are radical, but not so radical that they generate controversy that obscures their message.
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