Une culture populaire européenne ? Circulation franco-italienne des fictions criminelles dans l'Europe des Trente Glorieuses.
This article aims to explore the intense circulation of crime fiction (cinema co-productions, novels, photo-novels, and comics) between France and Italy from 1950 to 1970. By reexamining the underlying serial dynamics of the circulation of works—focusing on architextual series (genres, publishers se...
| Publicado en: | Contemporary French & Francophone Studies Vol. 29; no. 1; pp. 9 - 29 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jan2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=183540936&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 183540936 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 17409292 W19 jtl: Contemporary French & Francophone Studies issn: 17409292 maglogo: Y pubinfo: dt: Jan2025 vid: 29 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 183540936 10.1080/17409292.2025.2454158 ppf: 9 ppct: 20 formats: fmt: – @attributes: type: T db: hlh ui: 183540936 – @attributes: type: P db: hlh ui: 183540936 tig: atl: Une culture populaire européenne ? Circulation franco-italienne des fictions criminelles dans l'Europe des Trente Glorieuses. aug: au: Letourneux, Matthieu affil: Université Paris Nanterre-CSLF, Nanterre, France keyword: crime fiction media culture Popular fiction serial fiction transnational fiction crime fiction media culture Popular fiction serial fiction transnational fiction ab: This article aims to explore the intense circulation of crime fiction (cinema co-productions, novels, photo-novels, and comics) between France and Italy from 1950 to 1970. By reexamining the underlying serial dynamics of the circulation of works—focusing on architextual series (genres, publishers series, or media formats) rather than individual works, and situating them within their industrial and media contexts—it becomes possible to highlight the cultural significance of these circulations. Analyzing the exchanges between various stakeholders (publishers, producers) reveals the pivotal role of industrial dynamics of serialization, the coherences produced by media series, and transmedia dynamics. What emerges from the interplay of collaborations, imports, and exchanges between the two countries is a transmedia popular culture on a European scale, characterized by shared imaginaries and aesthetics. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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