Scènes à Faire: Genre Practice in Music Copyright Infringement Cases.
Recent copyright infringement litigation has revealed ambiguity in the scope of legal protection for musical works. Courts have especially struggled to distinguish between unprotectable, foundational musical ideas and copyrightable expressions of them. This article advocates for increased applicatio...
| Publicado en: | Journal of Musicological Research Vol. 43; no. 4; pp. 326 - 349 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=183685094&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 183685094 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01411896 7WF jtl: Journal of Musicological Research issn: 01411896 maglogo: N pubinfo: dt: 2024 vid: 43 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 183685094 10.1080/01411896.2024.2443513 ppf: 326 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 427KB tig: atl: Scènes à Faire: Genre Practice in Music Copyright Infringement Cases. aug: au: Leo, Katherine M. affil: Millikin University su: Copyright infringement Copyright lawsuits Popular music genres Practicing (Music performance) Musicology sug: subj: Copyright infringement Copyright lawsuits Popular music genres Practicing (Music performance) Musicology ab: Recent copyright infringement litigation has revealed ambiguity in the scope of legal protection for musical works. Courts have especially struggled to distinguish between unprotectable, foundational musical ideas and copyrightable expressions of them. This article advocates for increased application of the legal doctrine of scènes à faire—which permits the exclusion of indispensable ideas when proving infringement—to contextualize more acutely similarities identified in a lawsuit according to evolving creative practices and repertories that are essential to genre communities. In so doing, this article furthers methodological discourse in forensic musicology to promote future case outcomes attuned to musical genre practices. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Musicological Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Musicological Research holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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