The Private Lives of Pictures: Art at Home in Britain, 1800–1940.

Nicholas Tromans' book "The Private Lives of Pictures: Art at Home in Britain, 1800–1940" offers a unique sociological perspective on art history, focusing on how pictures were used and interacted with in British homes during the 19th and early 20th centuries. Tromans explores the shift in art prefe...

Descripción completa

Detalles Bibliográficos
Publicado en:Victorian Studies Vol. 66; no. 4; pp. 711 - 714
Autor principal: Teukolsky, Rachel
Formato: Artículo
Publicado: Indiana University Press Summer2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=183702400&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 183702400
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00425222
        VCS
      jtl: Victorian Studies
      issn: 00425222
      maglogo: N
    pubinfo:
      dt: Summer2024
      vid: 66
      iid: 4
      pid: 211
      pub: Indiana University Press
    artinfo:
      ui:
        183702400
        10.2979/vic.00221
      ppf: 711
      ppct: 3
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 320KB
      tig:
        atl: The Private Lives of Pictures: Art at Home in Britain, 1800–1940.
      aug:
        au: Teukolsky, Rachel
        affil: Vanderbilt University
      su:
        Art & society
        Picture frames & framing
        Painting
        Art movements
        Art
        Wallpaper
      sug:
        subj:
          Art & society
          Picture frames & framing
          Painting
          Art movements
          Art
          Wallpaper
      ab: Nicholas Tromans' book "The Private Lives of Pictures: Art at Home in Britain, 1800–1940" offers a unique sociological perspective on art history, focusing on how pictures were used and interacted with in British homes during the 19th and early 20th centuries. Tromans explores the shift in art preference from sculptures to paintings during this period, emphasizing the significance of paintings as portable and stackable art commodities. The book delves into the different roles and meanings of pictures in various rooms of a Victorian home, shedding light on gender roles, familial dynamics, and social interactions within domestic spaces.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Victorian Studies is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Victorian Studies
      holder: Indiana University Press
      dt:
        @attributes:
          year: 2024
    holdings:
      @attributes:
        islocal: N