Broken by Her Country of Broken Things: Memory, Resistance, and Politics of Time in NoViolet Bulawayo’s Glory (2022).

This article presents a reading of NoViolet Bulawayo’s novel Glory (2022) in the light of indigenous temporality and structural and administrative violence in the transition from pre-colonial to colonial, and then to postcolonial times in an imaginary African land. The study argues that structures o...

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Publicado en:African Studies Quarterly Vol. 22; no. 3; pp. 81 - 96
Autores principales: MANAWAR, ANIQUA, FIAZ, MUHAMMAD KAMRAN
Formato: Artículo
Publicado: African Studies Quarterly Nov2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Broken by Her Country of Broken Things: Memory, Resistance, and Politics of Time in NoViolet Bulawayo’s Glory (2022).
      aug:
        au:
          MANAWAR, ANIQUA
          FIAZ, MUHAMMAD KAMRAN
        affil:
          PhD scholar of English at Bahauddin Zakariya University, Multan, Pakistan.
          PhD scholar of political science at Bahauddin Zakariya University, Multan, Pakistan.
      su:
        Neocolonialism
        Democracy
        Violence
        Indigenous ethnic identity
        Political science
      sug:
        subj:
          Neocolonialism
          Democracy
          Violence
          Indigenous ethnic identity
          Political science
      keyword:
        indigeneity
        neocolonialism
        postcolony
        power struggle
        resistance literature
        temporality
      ab: This article presents a reading of NoViolet Bulawayo’s novel Glory (2022) in the light of indigenous temporality and structural and administrative violence in the transition from pre-colonial to colonial, and then to postcolonial times in an imaginary African land. The study argues that structures of neocolonial violence and active erasure create a pseudo-temporality in the people of the ex postcolonies. It seeks to explore the idea of time in the postcolony, the distortion of communal past by the colonisers, the imposition of an invented past, present and future on the subjects, and the multitude’s resistance to and rejection of this imposed time in an African society. The novel depicts the patterns of violence in the postcolony. The indigenous population in the novel seeks to build for them a just future. Historical consciousness of suffering and pain of the ancestors is the starting point of liberating self. Remembering and memorialising the ancestors who suffered is the first step towards it. The study gives us a key to understanding parallel democracy that decolonised nations should aim at, keeping in view the damage caused by the invader’s view of progress (Western concept of development with neocolonialism) and democracy (a colonial byproduct).
      pubtype: Academic Journal
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      src: R
    language: English
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          year: 2024
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