Beyond Perpetration and Victimhood: Exploring the Gray Zone and Implicated Subjects in A Brief History of Seven Killings.

Addressing the enduring impact of systemic violence and political unrest demands a comprehensive analysis of individual involvement within such contexts, beyond the traditional binaries of victim and perpetrator. A Brief History of Seven Killings, by Marlon James, set against the turbulent backdrop...

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Publicado en:International Journal of Literary Humanities Vol. 23; no. 1; pp. 91 - 107
Autores principales: Joseph, Angel Treesa, Borah, Rashmi Rekha
Formato: Artículo
Publicado: Common Ground Research Networks Mar2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Joseph, Angel Treesa
          Borah, Rashmi Rekha
        affil: Vellore Institute of Technology, India
      su:
        Political stability
        Political violence
        Good & evil
        Victims of violent crimes
        Tapestry
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        subj:
          Political stability
          Political violence
          Good & evil
          Victims of violent crimes
          Tapestry
      keyword:
        Gray Zone
        Implicated Subjects
        Perpetrator
        Victim
        Violence
      ab: Addressing the enduring impact of systemic violence and political unrest demands a comprehensive analysis of individual involvement within such contexts, beyond the traditional binaries of victim and perpetrator. A Brief History of Seven Killings, by Marlon James, set against the turbulent backdrop of 1970s' and 1980s' Jamaica, offers a compelling narrative framework to explore these complexities. The article endeavors to delineate alternative subjective categories, beyond mere victims and perpetrators within the context of violence as portrayed in Marlon James' A Brief History of Seven Killings. It contends that James' narrative challenges conventional binaries of good and evil, offering instead a rich tapestry of identities that defy reductionist categorizations. The article leverages Primo Levi's gray zone and Michael Rothberg's theoretical framework of implicated subjects to dissect how individuals, entwined in systems of power and violence, reflect the complexities of moral ambiguity and personal agency. The article argues that while the novel provides a detailed portrayal of the era's sociopolitical landscape, it also calls for an expanded theoretical framework to better capture the experiences of those living under systemic oppression.
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    language: English
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