'Tearing Off the Bonds': Suffrage Visual Culture in Australia, New Zealand and the USA, 1890–1920.
This article will examine how transpacific suffrage visual culture imagined and reimagined an artistic tradition centred around the figure of the bound woman. White suffragists and anti‐suffragists in Australia, New Zealand and the United States used the iconography of bonds, chains and whips to med...
| Publicado en: | Gender & History Vol. 37; no. 1; pp. 234 - 267 |
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| Formato: | Artículo |
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Wiley-Blackwell
Mar2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=183950523&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 183950523 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09535233 BPJ jtl: Gender & History issn: 09535233 maglogo: Y pubinfo: dt: Mar2025 vid: 37 iid: 1 pid: 480 pub: Wiley-Blackwell artinfo: ui: 183950523 10.1111/1468-0424.12694 ppf: 234 ppct: 33 formats: fmt: – @attributes: type: T – @attributes: type: C – @attributes: type: P size: 7MB tig: atl: 'Tearing Off the Bonds': Suffrage Visual Culture in Australia, New Zealand and the USA, 1890–1920. aug: au: Stevenson, Ana affil: USQ College, University of Southern Queensland,, Australia International Studies Group, University of the Free State,, South Africa su: Women's suffrage Symbolism in art Political cartoons Australia New Zealand United States sug: subj: Australia New Zealand United States Women's suffrage Symbolism in art Political cartoons ab: This article will examine how transpacific suffrage visual culture imagined and reimagined an artistic tradition centred around the figure of the bound woman. White suffragists and anti‐suffragists in Australia, New Zealand and the United States used the iconography of bonds, chains and whips to mediate the possibility of women's enfranchisement. Haunted by the legacies of settler colonialism, suffrage cartoons directly and obliquely evoked the spectre of chattel slavery, convict transportation and incarceration alongside the elusive ideals of humanitarian reform. While anti‐suffrage cartoons lamented the prospect of women's enfranchisement, pro‐suffrage cartoons appropriated this iconography primarily for the benefit of white women. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Gender & History is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Gender & History holder: Wiley-Blackwell dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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