Art in Them Mountains: Critical Discussions on Appalachia, Identity, and Abolition.
In this article, we explore the work of three Appalachian artists: Jakeli Swimmer (Qualla Boundary, North Carolina), Lacy Hale (Whitesburg, Kentucky) and Vivian Swayne (East Tennessee). In subversive stories, each artist reveals contradictions in the Mountain South through political art that counter...
| Published in: | Appalachian Journal Vol. 52; no. 3; pp. 219 - 237 |
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| Main Authors: | , , , |
| Format: | Article |
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University of North Carolina Press
Spring2025
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=184060676&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 184060676 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00903779 UJ3 jtl: Appalachian Journal issn: 00903779 maglogo: N pubinfo: dt: Spring2025 vid: 52 iid: 3 pid: 2027 pub: University of North Carolina Press artinfo: ui: 184060676 10.1353/apl.2025.a955579 ppf: 219 ppct: 18 formats: fmt: @attributes: type: P size: 14.1MB tig: atl: Art in Them Mountains: Critical Discussions on Appalachia, Identity, and Abolition. aug: au: SWAYNE, VIVIAN BROWN, MICHELLE SWIMMER, JAKELI HALE, LACY sug: ab: In this article, we explore the work of three Appalachian artists: Jakeli Swimmer (Qualla Boundary, North Carolina), Lacy Hale (Whitesburg, Kentucky) and Vivian Swayne (East Tennessee). In subversive stories, each artist reveals contradictions in the Mountain South through political art that counters violence, hate, vitriol, and ongoing settler intrusions in the region. They challenge how we think about the diversity of land and people, and their work deepens how we understandand relate to mountains, community, and safety. In this way, their art reflects Appalachia's oldest demands: selfdetermination, autonomy, and sovereignty in our bodies, our land, and our Peoples. These discussions arepartof alargerdigitalarchival project, Abolition Now: Images for Study and Struggle, that features interviews with artists, organizers, and curators about the production and contexts of their work. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Appalachian Journal is the property of University of North Carolina Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Appalachian Journal holder: University of North Carolina Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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