The artifactual theory of depiction: from paintings and sculptures to virtual reality.
This paper proposes a new account of depiction, namely the ‘artifactual theory’, which aims to supplement the so-called “experiential accounts”. The latter characterize pictures as eliciting a perceptual experience of what is represented. Drawing on philosophical accounts of technical artifacts and...
| Publicado en: | Synthese Vol. 205; no. 4; pp. 1 - 25 |
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| Formato: | Artículo |
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Springer Nature
Apr2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=184294637&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 184294637 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00397857 4LI jtl: Synthese issn: 00397857 maglogo: N pubinfo: dt: Apr2025 vid: 205 iid: 4 pid: 237 pub: Springer Nature artinfo: ui: 184294637 10.1007/s11229-025-04988-7 ppf: 1 ppct: 24 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1MB tig: atl: The artifactual theory of depiction: from paintings and sculptures to virtual reality. aug: au: Terrone, Enrico affil: https://ror.org/0107c5v14 Università degli Studi di Genova, Via Balbi 4, 16126, Genova, Italy sug: keyword: Art Creation Function Philosophy and Religious Studies Philosophy Pictures Structure Technical artifacts Technology Twofoldness ab: This paper proposes a new account of depiction, namely the ‘artifactual theory’, which aims to supplement the so-called “experiential accounts”. The latter characterize pictures as eliciting a perceptual experience of what is represented. Drawing on philosophical accounts of technical artifacts and on their notions of structure and function, the artifactual theory casts the generation of a peculiar perceptual experience as the function that pictures perform in virtue of their structure. The paper argues that the artifactual theory leads us to a compelling taxonomy of pictorial kinds that accounts for not only paradigmatic two-dimensional pictures such as paintings but also “threedimensional pictures” such as statues, and even “immaterial pictures” such as those of virtual reality. Specifically, the artifactual theory enables us to individuate the three basic pictorial kinds thereby situating virtual reality, statues and paintings in the pictorial realm in an effective and insightful way that captures both what they have in common and what makes each of them special. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Synthese is a copyright of Springer, 2025. All Rights Reserved. item: Synthese holder: Springer Nature dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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